Friday, April 10, 2015

Budding Botanists: FREE Art in Nature Classes for Children at AJ Dillon Gallery, Saturday Series - 10am

Calling all Budding Botanists!




The AJ Dillon Gallery of Fine Art (AJDillon.com) is hosting a series of four (4) Saturday Master Classes designed for the Budding Botanists in the Two River  area.  

Children, their parents, and caregivers, are invited for a FREE hour-long workshop, at 10:00 am:

Saturday, April 11 --  Potting Up!  Come prepared to dig in the soil and plant seeds (happy start to a Mother’s Day gift)

Saturday, April 18 -- Photography in the Garden!  Come with camera and/or SmartPhone

Saturday, April 25 -- Painting the Garden!  

Saturday, May 2 -- Kodedama -- How to make a moss ball garden display


All materials will be supplied by AJ Dillon Gallery.  Please RSVP to Emily: ContactUs@ajdillon.com or Leeann/Duchess Designs: leeann@duchess-designs.com 

Saturday, April 4, 2015

Art in Nature opening Reception, April 4th, 6-8 pm AJ Dillon Gallery for Food, Drink, Art

Art in Nature, graphic by Tom Sebazco

It was a snowy, Sunday evening in January and I had just gotten to the loft to write when a dear, long-time garden design client, Joe, called and asked if I could stop down to his new office’s next door neighbor: the AJ Dillon Gallery Fine Art.
Sure thing.   I didn’t have a clue what it was all about-- but no matter.  If Joe asked – I’m there.

After Joe made the introduction to Frank Leahy, gallery owner and an accomplished painter in his own right, I found out what was in store.  I was surprised – and delighted – and honored - to be invited to curate an April garden-themed show!

Of course I love all things garden.  I am a garden designer, I worked at NYBG and BBG, and belong to countless horticulture and garden professional organizations, attend myriad garden and plant lectures and garden tours, (just got back from an Ecuadorean garden design work project); and I write about gardens…
Given April is a kind of sweet, spring gateway to the green, growing season here.  I was all in…
Soon, the snowy winter scene outside gave way to swirling blossoms, fragrant flowers, and green foliage.  In my head, that is. 

Still, as I thought about what the show could be, I wanted it to be more than “just” pretty flowers.  I wanted to grab people; reorient their house & garden “look book” ideas of what a garden is. 
This was not to be only an idealized botanical art and illustration or Hudson River School version of nature and art.  After all, the Two River area is still healing from Superstorm Sandy, so I was hoping nature in all its fury and power could be rendered in artful displays, too. 
Then there’s the big climate change elephant in the room that art is uniquely prepared to illuminate.  Art can make us see and – viscerally feel - what’s been disorienting our weather, oceans, seasons, and growing seasons…
  
I embrace the idea that nature and gardens are art – and further – that nature inspires all artists. 

I thought the show would enrich the Gallery, visitors, art enthusiasts and the artist community  - especially if we ambitiously pursued a full constellation of artful genres – from sculpture to ceramics to painting and photography to fashion to Kokedama, to performance art and music. 
Let’s joyfully explore the galaxy of art and artists inspired by nature. 

After dreaming a bit – not only the kind of show we’d present, but also the title of the show came to me: Art in Nature.  It’s everywhere if we just have the vision to see it.

I worked up a plan for Frank to review and approve how we could make this happen. 
I really, really wanted to give the artists a forum and a showcase to not only display their art, but also to allow them a way to sell their work.  And not just to the bricks and mortar Gallery but also to reach a larger audience.  I had just recently discovered the “Shop Now” option on Facebook.   I suggested we could sell the art to the vast audience beyond the Gallery’s walls.  Facebook’s Shop Now feature makes it all rather easy.

On the other hand, getting all the art submitted -- not so much! 
Artists are like racehorses.  A pure breed whose personalities and temperament are very much individual -- thoroughbred traits breed exceptional, rare breeds.  I love them.

After a mix of coaxing, cajoling, a kind of maternal soothing and encouragement – me and Emily Potts, the AJ Dillon Gallery manager and talented photographer I’ve had the privilege to work with on the show  - found we had an abundance of artful treasure: the painting, photography and ceramics and performance art started to cover almost every inch of the Gallery.  It was coming in from North Carolina and New York and the Garden State.  It is all stunning.

And soon, the Garden State’s elected officials were weighing in too.
Congressman Frank Pallone sent a very supportive letter that we will read tonight at the opening Reception and will then post in the Gallery.  Thank you,  Congressman Frank Pallone. 
Friend and newly-elected Fair Haven Councilwoman Aimee Humphreys dropped off a wonderful letter, too. Thank you, Aimee. 
And Aimee has also submitted some of her beloved parent’s artwork for display in the show: her mother’s orchid painting and her father’s succulent photograph.  Years ago, her father did portraits of me and Bill and my parents.  I treasure the images… so special. 
Governor Christie’s office started off in simpatico but when I called to inquire about the letter or attendance, was told he needs six to eight months notice!  Must be all that out of state travel coordination ^:^

I returned home from Ecuador garden design work to snow last week – but hope is eternal.  And today is glorious sunshine.   
Spring is surely here!

Windows are the eyes of the Gallery

As part of show’s outreach – I wanted the Gallery’s display windows to reflect the magic and mystery of nature that was soon to be within.

Working with realism artist, Jessica Wohlers (my esteemed niece, too) we worked up a design concept:  tree branches – as a “shadow art” foundation – an “Into the Woods” seduction, if you will, adorned with twinkling lights, butterflies, glass globes – and Frank’s inimitable art. 

We visited Gotham’s Floral District where I get my client’s garden-themed styling elements for container and display compositions.  Well, most of the floral art world does too – as does Jessie, for her commercial photo and video styling.
Within two shopping days we were able to carefully select the elements to fulfill the window tableau design.

Jessie twisted, turned, and contorted the wisteria branches to bend to her will!  She had them up in the windows – arching along the front.  She flirted with the glissine paper to render the dimensional tree shadow art hanging from the branches.  After trial and error and organic channeling: ethereal success!
EunYoung Sebazco brought her otherworldly Kokedama, moss art.  I will write more about this art and she will conduct a children’s Master Class at the Gallery in April.  You can also read more at her blog: Green in the Box  
Horticultural Artist, EunYoung Sebazco & her Kokedama Moss Art, AJ Dillon Gallery


Art in Nature graphic

Frank had Emily print more of the invitation postcard (went through a lot of them – hope that’s a good sign.)
In designing the look of the ad/invitation, I wanted a Fibonacci-inspired graphic.  Fibonacci images are so significant to art and design. I found an image on the web and thought we could incorporate a collage-like series of images to represent the show’s variety of The Art in Nature show’s genres.
I was able to get NY artist, Tom Sebazco to render the concept – brilliantly.  Look closely at the Nautilus –swirl of a garden and you will see sculpture, music, ceramics, painting, film and photography…
All in brilliant colors with blossoms and flowers swirling about.  How about that vision?!

Thank you to Tori Sickles, Sickles Market for sharing the graphic on their Facebook page.

Reception
My brother James Popik is playing his jazz music, along with singer, Jen.  There will be food and drink and family and friends, and nature and art! 
We will be video taping the event, too.  

Racing down to the Gallery now for a walk-through and a few tweaks. 
See you later.




  

Saturday, March 28, 2015

From Healing Nature to Kimonos to Orchid Cocktails, Flora infuses Gotham (in spite of Spring in "holding pattern)

Potting Up:  Connecting to Nature is healthy. Photo: Brian Peterson; courtesy of Healing Gardens
 
Healing Nature, a compelling symposium produced by The Horticultural Society of New York, revealed  (to the initiated) that Nature is restorative – contact with nature, especially plants, promotes human health and well-being, reduces stress.
Keynotes speaker, Naomi Sachs, ASLA, EDAC, Master of Landscape Architecture, Healing Landscapes is a Sherpa – helping lead others to practice Horticultural Therapy which uses plants, gardens and other aspects of nature to improve people’s health and well-being.
Healing spaces matter. Sachs presented a series of research-based evidence to show how Hort Therapy not only reduces the impact of stress, but also improves cognition, productivity, creativity, immune function, satisfaction, and more. 


“The sense of being in a good place is powerful and energizing -- offering high-energy, highly-innovative environments,” according to Therapeutic Landscapes.


Did you ever hear of “forest bathing?”  Forest bathing, is a Japanese practice Shinrin Yoku, to describe getting out and walking in nature. “Green exercise offers a reduction in stress and produces NK or “killer cells,” noted Sachs.  She described how the trees emit wood essential oils as a way of warding off “intruders” (mainly for insects but hey – this plant adaptation benefits humans so all good).  
Forest Bathing
Essentially, the wood oils or phytoncides are antimicrobial compounds derived from the trees, that studies show, raise the level of white blood cells that are the NK, natural killer cells.  They white blood cells can last a week in women exposed to phytoncides forest air, according to a Earth Day Year of the Forest Therapeutic Landscape Network blog post  

Just too much snowy weather forecasts this weekend?  Then head to the Orchid Evenings at the New York Botanical Garden  Forest Walk this evening through the heady, oxygenated Enid A. Haupt Conservatory and luxuriate in the thousands of intoxicating flowers.  And if it couldn’t get any better than boosting your white blood cells, there’s music and specialty cocktails inspired by Guerlain’s Orchidée Impériale line to really get one’s blood pulsing!  

And finally, a rare exhibit of antique kimonos is on display this weekend only, at Stephen Globus' Globus Washitsu, KeiSui-an located in an ethereally beautiful Japanese world (in the Penthouse at 889 Broadway) as the curators prepped for the evening’s VIP event. 
Sensory delight: Stunning Antique Obi, rare fragrance, & Kokedama  (created by EunYoung)

This Examiner received a sneak preview of the weekend show by Osami Kitazono, Founder and COO of Japanese Culture Style and EunYoung Sebazco. 
Osami Kitazono, Japanese Culture Style
Think of the show as a Hanami – “flower viewing” experience. The kimonos, table runners or “obi” – and slippers are fairly dripping with flower blossoms, especially the Japanese royal flower: kiku – or the chrysanthemum.  Thought this was just a throw-away, fall mum?  Think again.  The Japanese Imperial Seal – as featured on every citizen’s passport and is the coat of arms for the Imperial family, and their “Chrysanthemum Throne.”  


I first experienced the wonder of Globus Chashitsu and https://www.facebook.com/TeaWhisk last year during a magical and mysterious demonstration of a Japanese Tea Ceremony and wrote about it for my Examiner Food & Drink column. 

The Power of Design, Antique Kimono Meets Interior Décor for your Home is a weekend only exhibit  – produced by Rinko Kimino and Tea-Whisk’s Souheki-san.
The exquisite kimonos are hung gracefully on the tatami covered walls.  Peaceful sounds of water add to the otherworldly effect.  
Wedding kimono
Together, they shared the history of this exhibit.  
During the Edo period Japan was closed to the outside world and had developed a unique culture of its own, however, since the first black ship arrival in 1853, Japan has adopted Western culture.  This can be seen especially in the fashion of the 1920s, influenced by the art deco design and the flapper’s fashion the Japanese women developed the Modern Girl – or MOGA Style.  Even though more people started to wear Western style clothes, the conventional kimono also changed during this time – becoming more dynamic and gorgeous.  The exhibition introduces the original designs of kimonos made during the 1920s to the 1950s.  The kimonos selected comes from a personal collector who has possessed them for many years and includes the highest quality antique kimonos of Meisen silk cloth with the Kinsha Chirimem of vibrant colors.  

All the art is available for sale.  (From $300 to $800 to "Ask" the price.)  












Child's kimono! 







EunYoung, ® with curator Rinko and Garden-State ceramicist

The very beautiful & talented EunYoung shows off the collection of Antique Kimonos at Globus Washitshu



I got the adorable Japanese slippers – great for yoga – (and are available for a more modest, $30.)  The slippers are explosion of happy blossoms. 



Happy spring.









Friday, March 20, 2015

If Walls Could Talk: Garden Design in Ecuador's Hacienda Cusin





 The stone garden walls at Hacienda Cusin are not unlike powerful arteries that silently pulse -- coursing throughout the body of the jardin, giving life  – while at the same time, outlining the bones of the various “garden rooms.”

So it was with great reverence that we garden designers from The New York Botanical Garden (NYBG) Landscape Design Alumni Group  (LDSA) artfully removed the “over stimulated” Ecuadorean plants that were teetering in their version of “wall conquest.”
In this scenario, it might be said there IS too much of a good thing.

In our passion for good garden design and healthy plants, the Garden Team edited out plants, pruned back the “Hort Bullies” to reveal walls that nature has favored with her master brushstrokes. 
The gently aged look speaks volumes.  Not unlike the rambling stone  walls that grace the English countryside. The walls’ compositions could well make Pollack pea-green with envy; a dash of moss here, “drippings” of sea-foam green lichen streaked here and there, and colorful random plants perched in all manner of nooks and crannies hugging the walls and hanging on for hort companionship.

Post cleanup, er, garden makeover, the stone walls now can boast a bit more of their distinguished, sylvan yet “fuerte” heritage. 

How did we do it?
In the beds bordering or fronting the stone walls, we created plant compositions to highlight a “borrowed landscape” -- which is a natural garden design composition that captures the look that is just beyond, and usually more of Mother Nature – – known here as Pacha Mama.

  
With Amy as point person here - we employed the borrowed landscape garden design technique along part of the wall beginning nearest the Biblioteca and Salon, bringing the yellow of the canna plant to the corner access wall where more than a few paths meet.  
Amy editing out garden beds to create an artful borrowed landscape - & reveal the walls



It was agreed that the elegant calla lilly needed more of a presence so we transplanted enough for a few swaths of repeated plantings.  (We couldn’t help but “hear” Katherine Hepburn’s quintessential multi-syllabic cinema reference to this goddess of the plant world: “The Caaa-la-li-lil-lies aarre in bloo-um.”  
 
Peggy & Linda working to reveal Hacienda Cusin's artful garden walls
We later learned from Pablo, a favorite waiter and educated plantsman here at Hacienda Cusin, that calla lilies are ideal plants that do well in the Ecuadorian Sierra, despite not being a native. 
And just for the record – what hotel have you ever stayed in where a member of the wait staff is a knowledgeable, trained gardener and plantsman?  Yet another foot soldier for Pacha Mama – and a resource for the “green magic.”

We artfully edited some of the sweet looking and favorite, Forget Me Nots (Myosotis) whose periwinkle blue hue dot the borders’ front. 
See, plants have curious and powerful adaptations.  So despite it’s pretty blue blossoms, the Forget Me Not, too, is rather a hort bully – in that it sends out a kind of toxin to the other plants so that it can take over – even stealing nutrients from the soil…
One of our garden team members reacted to its toxicity on each of several days before we isolated the culprit plant and she subsequently walked to town to the pharmacie for relief.  It was truly a "forget me not – as in - unforgettable experience!

The red geraniums, that are almost as tall as me, were also revealed with the team’s plant editing – happy to be front and center.  These red stalwarts of the annual container and border gardens in the States, grow as tall as can be here – like a Jack in the Beanstalk curiosity. 
(Same for the impatiens!) 

We re-planted the multi-petaled eschevarria to show off her poised, Armani-like sculptured couture leaves in the front of the boarder where guests could surely appreciate the plant’s design.
Peg, Becca, and Linda cleaned the front of the wall area and put in calla lilies in the bed.
Left to right: Peggy, Linda, & Becca creating captivating garden art compositions from  the exuberant plant growth along the walls
Red and purple fuchsia, and well, fuchsia-colored orchids, and Datura and Bella Donna are the eye-popping seductive garden gems that adorn the borders and the handsome stone walls.
Plants soon learned they were no match for the "Plant Whisperer:" Becca!















Monet’s Water Garden in Ecuador

The piece-de-resistance of our garden work arguably is the water garden fronting number #10 casita (be sure to reserve this for your honeymoon suite  -- or second honeymoon, as we learned Mel and Peggy did a few years’ back!)
This is the first water garden one encounters after having descended the grand staircase from the Biblioteca and Salon Simon Bolivar.

There is no doubt the water garden and its center island – with its newly christened moniker, “Bellar Island” so named for Mel and Peggy -- is exquisite and eye-catching. 
It and the walking bridge were already captivating.  Here again, we were doing our “garden makeovers” – getting the garden rooms ready for their close-up – and in this case, specifically for the big wedding taking place on Saturday night.
Peggy & Planca!  The before "Bellar Island"

I daresay when we were finished, not only were we all thrilled, but the plants also seemed to be smiling back at us. The fish in the pond were literally jumping for joy; nabbing the newly-acquainted hordes of buzzing dragon flies who were all elated we netted out pond debris and lots of the asparagus fern growing below. 
Mel launched the pond skimming clean up

The cleaner clearer pond created a visual delight for them – and created a canvas for the nearby plants and trees.  

Now, the lantana (Lantana montevidensis) and fuchsia (Fuchsia triphylla) and California Poppies (Eschscholzia californica)  – to name a few – shimmer their mirrored double exposure in the pond’s now-glistening water.

Gus continues pond clean-up while Mel works the border & Becca contemplates next plant patient!                
See, Gus had moved silt and stuff “upstream” from the gravity-led rill powered by a recirculating pump so that it now bubbles and gurgles with renewed aplomb – adding to the garden art’s sensory sensations. 
Later, I cleaned out the garden bridge and got that element of the pond’s egress to counter-point the flow, allowing the water’s exit on to the contiguous pond beyond the bridge. 
That the bridge’s garden-side entrance is beribboned with jasmine is just too good to be true. 
I carefully pruned out the unwanted vine stems and “interlopers” (aka leaves, sticks, etc.). 
Me pruning the bridge jasmine

The heady scent of jasmine there will leave you swooning with rapture. 
Now a bride and her groom can waltz through the jasmine–festooned bridge entrance and pose on the arching bridge for wedding photo memories, while they and the bridge mirror their image in the pond.  Double the pleasure. (Take that, Dorian Grey!)

I further scraped off the built-up moss and weeded out the plants who’d set up residence on the bridge and stone.  No more plant squatters!
Now the presently-named Monet Bridge is clean and visible because its happy reflection conjures the French garden setting for Monet’s water lilies.
However, we are coming up with an appropriate moniker for Hacienda Cusin’s own garden art.  After all, local, homegrown inspiration has its unique cachet…
Any suggestions? 
I can’t stop taking photos of the beauty of this water garden.  I’m sure you will be equally smitten and inspired after one look.  Please let me know your thoughts about what we might call it…
I’m thinking the “Millhouse Mirada” in homage to Nik, Barbara, and their artist/illustrator sabrina, Bek to honor their passion for all things artful…  Their name is Millhouse and “mirada” in Spanish is “look.”  It works, no?

Nik con poncho on his reclaimed bridge in Millhouse Mirada Garden 


The beds bordering the pond were weeded and re-arranged.  Snip, snip; here.  Snip, Snip; there.  A few of the purple and pink Margaurite Daisy (Osteospermum fruticosum) plants were staked for the wedding so that their blossoms could be enjoyed now.  Others were pruned back for a more robust regrowth, as they were getting too leggy.   
Before pond beds
Not that we don’t love a plant’s “gams” it’s just that we want more blossoms – and pruning back is the way to get there.  Gus brought new, homegrown, composted soil to the beds to nourish she soil and feed the plants.  Plus that black gold looks so darn good and rich!
Mel (L) & Gus on plant debris removal duty; Compost!

New orange canna plants were planted to even out the stepping-stone walk across the border to the Bellar Island in the middle of the pond.  (It had been covered over with plant growth.)

Anchored by the tall yucca and too many” plant squatters” – the island had become more of a battlefield adventure than a focal point.  
So with Peggy at the helm, she and fellow garden pirates Linda and Mel, helped turn that ship around – weeding out the invasive hort bullies and those seeming to abandon the ship by dipping all the way into the water.   
Peggy & Linda weeding & editing Bellar Island 

  

The island got a complete clean-up, makeover.

The day at the spa for the Millhouse Mirada and Bellar Island Garden was a resounding success. 




Soon, guests too were beguiled.  They couldn't stop taking pictures or painting the garden composition -- inspired by Pacha Mama / Mother Nature -- and Hacienda Cusin - and LDSA "Gringo" gardeners...

 







After the LDSA team all left to return home, I began my solo work in the garden. I stayed the extra days because I LOVE it here – but also because I came later than the team due to me and my husband’s vacation in Aruba, as I think I mentioned in the first blog post from Hacienda Cusin.

Initially, I planned to start on that contiguous pond, working the same garden makeover magic as we achieved with the Millhouse Mirada.
Yet, looking back at the water garden – transfixed by its bewitching beauty, I couldn’t help feel my sensibilities were a bit off or offended – by the site of all that brown, spent stems and bulbs from the crocosmia border beds that led out from the rill’s fountainhead.
Why, you could hardly see the wise, moss-covered walls there, hidden beneath encroaching, unwanted plant growth.

Something had to be done.

So two days of hacking back at the sterile mounds of bulbs, roped in by the menacing roots of the cursed St. Augustine grass, ensued.  I’ve tangled with this hated beast back in the States.  I knew my enemy.  I looked fearlessly ahead and knew it would succumb. 


Gus started the rill - circulating water fountainhead

The 15” or so of brown mounds did not go down easy.
Half-way - or kinda -- cleaning up the rill area to reveal garden walls. Foot-high bulbs were muy fuerte!
But eventually – all was removed; creating garden beds around the stone walls and rill; creating garden beds. 
I redirected the water, adding in grey stone boulders to match the medieval-looking water walls.
I envisioned a piece of marvelous garden art from Nik and Barbara’s collection here.
What Nik brought from the Salon Boliver salon exceeded my garden fantasy.
It is a two-foot or so wooden statue of Santa Barbara! 
Nik explained it used to be a rooftop ornament. 
She looks best in the new garden, gazing reverentially at the water flowing at her feet.

I re-purposed ferns to surround Santa Barbara so that they radiate a lush, green backdrop for her “statuesque solemnity.”
Nik noted she needed color.  I observed and dreamed a bit, all the while looking around like a soldier on watch.
I spotted those weeping California Poppies beyond in the Bellar Island and I knew I had the color we needed, along with a continuing, repeated garden narrative.  That the leaves are a soft bluish-hue is the icing on the cake.  We had a yellow and blue and green color palette.
Now we needed some structure.
With shovel in tow, and the two llamas assistance (I will swear their eyes led me to the plant when I asked them for their suggestions) – I came upon the succulent of choice.  Plus the tall, “mother” plant needed pruning.
The low-growing architectural succulents worked gracefully to highlight the Santa Barbara composition.
Newly-designed Santa Barbara garden

I wanted the much-acclaimed calla lily (Zantedeschia aethiopica) to front the new garden. Their pristine white flower is elegant (a nice nod to our Saint, even though it’s bold, stamen is a kind of in-your-face-sexual wahoo!) 
Plus the height of the calla lily helps better engage the guests.

It already looked good.  Moreover the guests, the staff, and especially Nik and Barbara were enthusiastic, having watched the garden room’s transformation.  Many offered suggestions for protecting Saint Barbara from both the elements – and sticky fingers…

The next day, Nik invited me and Bek to accompany him and Cesar to the nursery to buy plants. (More on that later.)
For the Santa Barbara garden, we got two kinds of ground cover plants: bluish-purple, fragrant alyssum and the white, daisy-like ground cover that is an annual by us. 
I also got two white gladioli-like beauties for either side of our Saintly gal. 
The white blooms of these new plants, along with the calla lilies suggest a purity that is so spot-on for a garden room watched over by a saint. 
Plus the white will “glow” in the evening dark.

Despite the heavy rains, I planted the newly-acquired plants, introducing them to their new plant companions. 
The entire plant composition is now a splendid hort community.
The integration of the elements: water, stone, plants, art; along with height, texture and color, combine to produce an enduring garden design.
Thank you, Hacienda Cusin – the perfect garden design inspiration and palette.

And about those garden walls conversation skills, here?
Well, they in fact do talk.  They are a bit of the gossip too. 
I have it on the best authority that none other than famed gardener, Penelope Hobhouse  preceded our team in doing garden work here. Wow.  This garden is a magnet for all garden lovers to be sure.
The Hacienda Cusin’s garden walls also whispered that the “Domestic Diva,” Martha Stewart, was a guest here, along with naturalist, David Rockefeller, and the Pulitzers.  I would swear too, that the walls told me famed garden art curator, Barbra Israel, also is a Cusin enthusiast.
Shhhh, pass it on.

NY Garden team post Bellar Island makeover: top row: L-R: Gus, Becca, Peggy, Mel, Nik - Cusin's owner & inspiration - Nik wanted an "American Gothic" photo memento;
Bottom: Me/Leeann, Amy, Linda
Nik, and Me/Leeann with happy, garden grins


Having fun "fanning" our leader, Nik, with Papyrus plant on the reclaimed, made-over bridge in "Millhouse Mirada"


Plants now are mirrored in the pond


We had a lot of fun in the garden too:
Linda, Gus, & Mel sporting fashions of the garden!



Some critters looked more "fun" from a distance:
Gus & a "cusin" the area's BIG beetle and the Hacienda Cusin's namesake!