Thursday, May 13, 2010

Delaware Center for Horticulture's Rare Plant Auction at Longwood Gardens


Our doorman handed me that day’s mail and right away my eye caught the hand-written envelope with the sublime return address of Delaware Center for Horticulture (DCH) and its rather scrolly graphic below, noting: “Pearl Anniversary of the Rare Plant Auction”

No one would argue that this post required immediate attention.

I got to thinking -- what’s more special than gently gliding the letter opener along the spine of an envelope to discover you’d been “cordially invited,” “asked to commemorate,” or read that the sender pleads with courtesy,  “won’t you please join us?”

Oh, the anticipation! 

For this extraordinary event – one could look at the The Pearl Anniversary milestone notation and mentally check off  “ There’ll be the buffet dinner, open bar, and the PLANTS!” 

It doesn’t get much better, does it?   J 

If you ever even considered that plants are not the undeniable horticultural artistic expression of garden art, the invitation from the Delaware Center for Horticulture heralds plants as not only a treasured work of art but the inspiration for other, fine art. 

Suitable for framing, the grey and white formal invitation palette features a Cattleya ‘Alice B. du Pont’ orchid – art by Anna Anisko, and the heading: “2010 Thirtieth Annual Rare Plant AuctionÒ  A Benefit for the Delaware Center for Horticulture’s Greening Program.” 
As if that wasn’t enough, attendees for the Rare Plant Auction were admitted free to Longwood Gardens for the day – and the glamorous site of the annual auction.

Registration Options included Pearl at $500 per person ($250 tax-deductible). 
Attendees at this level received valet parking, auction preview, gift plant, gift bag, cocktail party and mini auction at the home of Linda and Steve Boyden (this was on the Thursday preceding the Auction). 
A Benefactor ticket at $250 per person ($100 tax-deductible);
Subscriber at $175 per person ($75 tax-deductible);
and as I noted in previous blogs and Tweets, for those 40 and younger or Auction first-timers a Seed Pearl ticket, ($100 per person).

From Abelia to Zenobia – the DCH (www.dehort.org) offered more than 500 plants at what is billed as the world’s one and only official Rare Plant AuctionÒ to raise funds for their local greening programs. 

Christie’s Fine Art Auctioneers conduct a Live Auction of a select group of rare and unusual specimens.
An additional 500 prize plants were up for bid during a Silent Auction.
Last year’s event raised more than $100,000 for community greening and education programs in Delaware and this year they raised more funds than that.

The day of the Auction was glorious; sunny skies and warm.
Following a family bridal shower, my mother Virginia accompanied me to the event. 
We boarded the Amtrak train at Metro Park, in the Garden State – and in just three stops – arrived in Wilmington. 
Attention all New Yorkers – you can visit Longwood Gardens very easy.
Just get to 34th St/Penn Station!

I’d arranged for car service to pick us up and transport us to the Longwood Gardens in Kennett Square.  (Well, that was all a bit dodgy as the Delaware car company created what could have been a big problem but a second car service, Eagle Transportation Services was able to skillfully get us a driver.)
So after a few crazy calls, we were on our way. 
It’s a short, 20-minute drive through some beautiful countryside, too.

Upon arrival at Longwood Gardens, we took the option of walking through the magical, wonderfully curated Conservatory. 
We were captivated by the plant displays and kept stopping to take photos and revel in hearing the delighted gasps, oohs, and ahhs, of the soon-to-be-departing Garden visitors. 
The Garden was closing for the evening and they couldn’t get enough of the color, shapes, and texture all around them.








                Neither could we for that matter. 

Look at these exotic orchids









cool silver and blues and shapes in the desert or succulent displays.


We soon made our way to the event area.  And from the coat check to registration check in, everyone was so very friendly and welcoming.   
Later we learned DCH aims to make this a fun party where attendees can see beautiful plants. 
They knock it out of the park!

You can’t help but tingle with excitement and awe, surrounded by towering specimens; curious plants-as-architecture, with lights and stars both bouncing off the glass archways and domed roof. 



You could sense the anticipation from the increasing cluster  or “bouquets” of attendees greeting one another, enjoying a cocktail, and the ambience.


But there is no question the night belongs to the plants. 

In homage, the plants for the auction are displayed in the already too-good-to-be-true Conservatory at Longwood Gardens.
Horticulture enthusiasts wear their heart on the sleeve and can readily attest to the jewel-like quality of favorite trees, shrubs and flowering plants. 
And not unlike the late-day Garden visitors, true enthusiasts can never get enough of plants – especially rare and newly introduced ones. 

This night could not be considered the cure for what ails you, but rather a major player in enabling a passion! 
Not coincidentally, I recalled a Zen master, Lao Tzu’s admonishment: “There is no greater sin than desire…”
But to borrow from Michael Pollan, this was a dearly, doozy of a “botany of desire” and ground zero for any plant lover worth his or her seeds. J

The wow factor is huge, as are some of the specimen trees!

We were soon met by Wendy Scott, DCH’s charming and oh so professional and gracious Communications manager. 


And we must take a moment for Applause, Applause here! 
Wendy was recently named by The Garden Writers Association (GWA) as a 2010 Silver Award of Achievement for her writing “Our Urban Forest,” in the Writing - Newsletter/Bulletin/Brochure category.

I told you she was good!

Wendy secured a Rare Plant Auction event program for me.
The catalog itself is worth the price of a ticket.
It is chock a bloc with information on all the auction plants – and special notation about the “Rarest of the Rare” and “Hard to Find” supporting nurseries, plant donors, and the bios of the evening’s Plant Experts who were there to explain the plant’s provenance, growing needs and care. 
Displaying a measured depth of knowledge, Wendy provided an overview of the evening’s schedule-from Auction Preview to Silent Auction, to Live Auction to Dinner, Payment, and Plant Pick up.
She briefed me on the procedures and also offered interesting historical notes, including the story about Mrs. du Pont declining her husband Pierre S. du Pont (and Longwood Gardens’ founder) birthday necklace of fine-jewelry pearls; preferring instead ten-miles of elm, sycamore, and oak trees to be planted along Kennett Pike that she referred to as her “String of Pearls.”  

Mrs. Alice du Pont inspired this year’s Pearl theme. 
According to DCH:
In memory of Alice’s “pearls,” two special offerings highlight the auction – a collection of plants named for Alice du Pont and a real string of pearls. Longwood Gardens is donating five different plants that have been bred at Longwood and named in Alice’s honor. For our live auction, a Mikimoto 18-inch strand of fine quality cultured pearls hand-knotted on silk was donated from within the du Pont family to mark this special anniversary. A variety of plants in the silent auction also have a pearl theme such as Rosa ‘Pearly Gates’, Clematis ‘Perle d’Azur,’ Deutzia gracilis ‘Chardonnay Pearls,’ Rhododendron ‘Ebony Pearls,’ and Thalictrum ‘Pink Pearl.’

I think the piece of “Delaware folklore” and the link that drove the thoughtful plant selection provided an elegant intimacy and sense of history and sense of place to the event. 
Too often, a theme is chosen for these kinds of events that is merely a base for graphics display or as a vanity element to attract a donor or sponsor.
The Pearl Anniversary was lovely and permeated the event organically.  Kudos.

The Rare Plant Auction® gives attendees an opportunity to meet and speak with horticultural experts. 
My former Brooklyn Botanic colleague, Patrick Cullina returned this year to lend his expertise – and playful charm.  Patrick is presently the Vice President of Horticulture & Park Operations for Friends of the Highline – New York City’s sexy new park.  (www.thehighline.org)

Here is Patrick gamely posing with Mother!  







I also caught up with Chanticleer’s enormously talented horticultural treasure, Bill Thomas.  (far left)


Bill generously provided a garden tour for my extended family last year after a wedding in nearby Villanova. 
We learned so much about this drop dead gorgeous “pleasure garden.” 
Chanticleer is a bijou of a garden and shouldn’t be missed.  Their curated plant displays and collections are breathtaking.  (www.chanticleergarden.org)

I saw Fred Bland, Chairman of the Board for BBG too, but I couldn’t get over to him…

I met Paul B. Redman, Director of Longwood Gardens while covering the live auction.  Mr. Redman served as this year’s Honorary Chair.
According to DCH press advisory, previously Mr. Redman was Executive Director of Franklin Park Conservatory and Botanical Garden in Columbus, Ohio and Volunteer Coordinator at National Tropical Botanical Garden in Lawai, Kauai, Hawaii.

The bidding at this year’s Live Auction was spirited, competitive and successful. 
More than a few people noted that because the economy was better this year, there was more and greater bidding.


Urged on by Christie’s volunteer auctioneer, Dean Failey -- who has conducted the auction for 17 years -- opening bids were driven up fast in most cases. 

Some bidding started at $500 or $800 and rose progressively upwards – some to $3,600. Some more.








I noted bidders furiously taking notes or consulting with a partner. 


Every plant and plant collection up for auction was introduced.






The Plant Experts were often asked to explain a bit more detail about a plant’s rare qualities or the elements of the plants in a specific collection.  So Patrick Cullina and Angela Treadwell-Palmer would provide “play-action commentary.”  

I wanted to know what kind of motivation spurred such a “botany of desire” and so when the Live Auction concluded, I approached the couple that held the winning bid on a very coveted collection that benefited from a protracted bidding war among several attendees. 
Asking that his name not be used, he and his wife explained that his mother was an extraordinary gardener with a green thumb – kind of a famous or well-known gardener in their community (people come from all over the country to attend the Rare Plant Auction). 
Therefore, it was his mother’s love of plants and her role model status that inspired a life-long love affair with plants.  Wow! Yeah for Mothers…

I bid my measly budget on some silent auction gems but didn’t bring home anything. But the plant display compositions were terrific just to view.









And some of the attendees were sporting colorful fashions of their own! 







My mother couldn’t resist the Community Gardening outreach and bought a letter to support the program.
According to DCH:
A special feature of this year’s event was the Greening Neighborhoods Map, a large interactive exhibit illustrating DCH programs in Wilmington relating to trees, parks, traffic islands, and community gardens. Guests were invited to “purchase” pieces of the picture as it is assembled throughout the evening.

Here is Mother with Anne Maddingly, Community Garden Manager


DCH worked with neighborhood citizens to produce the first urban farm in Delaware. 
I will write more about this important gardening and food project for my other blog:

Following the letter donation, Mother and I went into the dazzling dining area in the Conservatory. 
It was otherworldly and so magical it took your breath away walking into the room.




Soon after we enjoyed our meal and an interesting dinner conversation with our new-found friends at the table, Wendy stopped by to let us know she’d found an escort to drive us back to the train station. 

Like two Cinderella’s, we quickly but reluctantly prepared to depart the Garden’s intoxication and hop into our carriage.
In fact, our delightful escorts were Felise and Michael Cressmsan. 
The drive back only extended our appreciation for the work of the Garden and DCH.

Michael is with AstraZeneca, “a proud supporter of the Rare Plant Auction.” 
Felise is a Master Gardener and a leader of the Wilmington Garden Club. 
She has also been a dedicated volunteer for many years at the Garden and is on the Rare Plant Auction’s Steering Committee. 
And she wore the sweetest dress that evening!
Felise added to the evening’s narrative by sharing stories of all the talent and hard work behind the scenes that goes into producing such a spectacular event: from identifying appropriate plants, assembling them at the Garden in a timely manner, arranging the plant vignettes and compositions for viewing, and producing plant labels and ID’s.

(Call out here to Moira Sheridan who is also noted in the catalog for writing the plant descriptions) 

Here are some of the Garden's interns - enjoying the fruits of their labor:










We bid farewell and thanked Michael and Felise and dreamed of dramatic, glamorous plants as our train swooshed us home.

The Rare Plant Auction at Longwood Gardens is an amazing and special event that you shouldn’t miss. 

So be sure to mark your calendars for next year. 
Plus, guess what?  You can double your pleasure in 2011! 

Wendy was smart and kind enough to point out that next year the Rare Plant Auction is April 30th and Point to Point at Winterthur is May 1st.

All the festivities will take place on the same weekend.  Quelle chance! 

The Brandywine area is captivating, the Rare Plant Auction is a special opportunity to enjoy the Garden and take home some one-of-a-kind plants that will make all your friends and family pea green with envy and Point to Point is an exciting day of steeplechase horse racing on the Winterthur Estate. (I think that’s three things that will make you smile, but who’s counting?)

But for certain, this will be THE place to be for anyone who loves art, beauty, tradition, horses and plants.  

How Glamorous!



The Delaware Center for Horticulture (DCH) cultivates greener communities by inspiring appreciation and improvement of the environment through horticulture, education and conservation. Founded in 1977, the Center’s site in Wilmington, Delaware includes a 1.5 acre educational demonstration garden, a 3,000 volume lending library, lecture hall and a greenhouse. DCH supports 16 active community gardens throughout the city of Wilmington; beautifies Delaware’s roadsides with native vegetation; maintains the landscaping of many urban gateways, corridors, and streetscapes; leads regional conservation projects to enhance Delaware’s urban forest; and provides educational programs for children, teens, and adults.  For more information, visit www.dehort.org

Longwood Gardens is one of the world’s great horticultural displays, offering 1,050 acres of gardens, woodlands, and meadows, including 20 outdoor gardens and 20 indoor gardens within 4 acres of heated greenhouses. Featuring 11,000 different types of plants, spectacular fountains, stunning seasonal displays, extensive educational programs, and 800 horticultural and performing arts events each year, the Gardens are open every day, including holidays. Longwood is located on US Route 1 near Kennett Square, PA.  For more information, visit www.longwoodgardens.org.

Monday, May 10, 2010

Sweet Seeds of Success!


What could be better than being surprised with a Godmother gift on Mother’s Day from my adorable five-year old godchild and niece?
Discovering the delightfully happy gift bag held a charming selection of seeds to attract hummingbirds!  

How thoughtful – and appropriate….

Kudos to Erin and Tara and Donna for selecting such a perfect gift!

And the people at BloemBox (http://www.bloembox.com) should win one of those MacArthur Genius Awards! 
They have designed an irresistible expression of plant love. 
I hope this idea spreads like wildflowers and soon zillions of people will be gifting glamorous seeds to one another J

Look at how sweet this is! 



The preppy green, high-gloss round package looks like a teeny hatbox. 
It’s topped off by double dip of pink hydrangea.  And a pink grosgrain bow. 
And if that wasn’t enough – like a fashionable ticket holder at Ascot racetrack’s Ladies Day – there is a feathered hummingbird perched on top, caught in mid flight.

Opening this tiny treasure I discover several layers of white, cotton-soft “ribbons” coiled around the bottom of the box dotted with – what is this? 
I turn them around a bit and then I get it – the seeds are imbedded in the thin cotton ribbons – each seed discretely placed in its own window bed. 
Wow!  I had to marvel at the care went into this. 
Each seed is like a piece of jewelry on display. 

There is also a little card explaining what plants the seeds will be, along with care instructions. 
A gift card says: "Happiness held is a seed. Happiness shared is the flower"
And the garden art BloemBox offers includes garden poetry in homage to the plant inside. Mine read:

A flash of harmless lightning,
A mist of rainbow dyes,
The burnished sunbeams brightening
From flower to flower he flies.
— John Banister Tabb

I will hate to part with my precious seeds – to take them from their High Society digs.  
On the other hand, we can all enjoy the beauty of my plants:
Pink Annual Phlox, Phlox drummondii, Lemon Mint, Monarda citriodora and Scarlet Sage, Salvia coccinea, as pretty plants – complete with flowers to attract those fascinating and charming hummingbirds! 
That will be another garden story. Stay tuned.

Oh, and my mother received a similar seed box as part of her Mother’s Day gifts.  
Hers was topped with a butterfly and seeds to lure that pretty pollinator.

How glamorous!

Thursday, April 15, 2010

Year Round Gardening


NYBG Barbara Garden Lecture
Barbara Damrosch
Year Round Gardening

The second lecture in the New York Botanical Garden 2010 Lecture Series, “From the Ground Up: Gardens Re-Imagined” featured the renowned yet practical Barbara Damrosch.  I love Barbara’s book, The Garden Primer.  It is one of my most favorite how-to garden books. 

She and her husband Eliot work a garden/farm in Maine -- Four Season Farm - with pretty much a year-round crop of vegetables. 
http://www.fourseasonfarm.com
The NYBG brochure hails them as a “model of small-scale sustainable gardening.”

The popularity and seduction of Barbara’s garden style is not that it’s the Next Big Thing (hello, green walls!) but rather it’s the Last Big Thing – meaning the best thing.  
Barbara’s approach to garden style is to practice the tried and true garden lessons that have served us successfully over the generations. 

It is all so elegant in its simplicity. 
At the same time, it’s a lot of work, no doubt. Yet, what could be more satisfying and pleasurable than to grow your own delicious, fresh food?


The bucketful of growing your own food benefits are well known: cost-effective, energy-efficient, healthful, safe, good exercise, fun, empowering, getting what you want/greater variety and so on…

But nothing beats the pure luxury of taste J

One thing that struck me about Barbara’s garden practices is how she practices “Serialized Gardening.” 
This continual successive plantings and interplantings allow for more yields from even a comparatively small parcel of land or even from containers.
It gives the lie to those who argue, “But I have no space to grow food.”
Or those that say, “All that work for one salad!”  (I admit, in the early years of my gardening, I invested in a baby or miniature vegetable garden and that one salad did make me feel a bit silly.)

Barbara shared the fact that their garden produces approximately $80,000 worth of produce per acre.  They have about 40 acres under management in what is a 3-season garden/farm.  This effort and claim supports a point I’ve heard made by foodies and chefs and real farmers. I’ve heard Dan Barber, chef from Blue Hill restaurant and a James Beard award winner posit how the naysayers believe we can’t grow enough food to feed the population with smart, sustainable agriculture – well, we’re not doing that now with big corporate farms. There are people who are starving.  And then there’s that pesky issue of mold, e Coli, and corn in everything.  And don’t get me started on processed food…

Back to the Farm

Barbara and her family team plant in grids on a 12” x 12” or 30” beds.
She said she loves using a 29” wide rake she concocted – with red markers over the tines – to make the plant rows. 


It looked like a brilliant way to make the 4-row, tick tack toe schematic for the beds







With her relaxed and confident way and with the use of big screen images, Barbara took us on a seasonal walk in her gardens. She demonstrated the succession plantings.  They use cold frames and small greenhouse off the kitchen to claim fresh food even in winter. They don’t do any canning or freezing – everything is always fresh.
The pictures of the entire crew and family enjoying the bounty of the garden at mealtime would make Norman Rockwell groan… Beautiful.

She had me at fresh all year round – but if that wasn’t enough, Barbara pointed out that cultivating successively in a densely packed garden will also keep the weeds down. 
At the most, once a week they use a “Culinary Hoe” that they invented and sell.  It has a blade on a long handle that allows you to skim the surface of the bed without having to get in the bed.  Much easier.  Brilliant solution.
She also said that healthy gardens are not hospitable to “bad” insects or pathogens. 
A most natural pest control occurs when the plants are healthy.  Pests are attracted to gardens that are stressed. How do they know??
So short of downward facing dog, er dogwood J no yoga for the garden – just keep it healthy.
I heard this admonishment echoed at an NYBG Companion Planting class at Stone Barns recently. 
Good advice.
Barbara had us all smiling with their most natural slug patrol:  Ducks.
And they built glamorous duck digs for them, calling it, what else, “Duckingham Palace!”

Not surprisingly, Barbara rhapsodized about the glories and beauty and utility of making compost.  “It makes it all work,” she claimed. “It’s the magic bullet.”
What in her compost?  Mainly kitchen waste and manure. The balance is a balance of green and brown.  She characterizes Brown as Fuel:  straw, spent hay, leaves in moderation.  Green is Nitrogen: grass clippings, kitchen waste and manure
She showed us how they build their 6-sided, wire compost bins.
Somewhat conspiratorially, she leaned in with a Secret!  “Whenever the compost is empty (“How could that ever be,” I thought?!)  They stick a funnel and replace with carrots or Asian greens, etc that will grow in the environment and then they restock the compost in the summer but have a crop in the meantime!

I would characterize a homegrown garden’s ability to provide a more robust, varied selection of food – an unlimited collection of even rare, or culturally exotic vegetables as another real luxury of growing a garden. 
For much of the audience, it seemed one of the more interesting crops Barbara showed was frisse raised the European way – using “hats” to keep the frisse white.  So cute.
Here is a picture of Chef Eberhard Mueller at his Satur Farms showing how he put frisse on the growing list, using his European background to produce one of his most favorite and delicious greens.
I took this picture last summer while we were at Satur Farms for the photo shoot for my book, "The Long Island Homegrown Cookbook," that will feature master chefs and their garden inspiration.  Along with recipes and garden art and plant lists....



At Four Season Farm, they employ the use of cold frames and greenhouses to realize their fresh food even in the winter.  They placed the greenhouse right outside their kitchen and pantry!  Based on her husband, Eliot’s design, their moveable green houses for commercial sale.  Barbara sang the praises of the Socrates cukes, peppers and eggplants grown in the greenhouse and the spectacular yields they’ve been able to achieve.

I learned a lot from Barbara’s lecture – about smart gardening practices, tools, edible landscaping and common sense, seasonal gardening tips. 
I also enjoyed hearing from a gardener who sincerely loves and respects growing and eating fresh, great-tasting food. 

She was also gracious enough to provide a flyer with a list of resources:
www.johnyseeds.com for seeds, cold frames, and tools designed by her husband, Eliot Coleman (and an author in his own right)

www.fedcoseeds.com

www.territorialseed.com

Companies that offer greenhouse models based on Eliot's designs but that they have no financial connection with any of them (I have to ask, "Why not?! ^:^)

www.rimolgreenhouses.com

www.fourseasontools.om

www.moveablegreenhouses.com


Barbara took a number of questions from the audience and then signed copies of her new, revised book.


Here I am with Barbara:











The book sold out that day -- but you can order here:

Wednesday, April 7, 2010

2010 Garden Lecture Reviews



From the Ground Up: Gardens Re-Imagined



The theme uniting this year’s lecture series at The New York Botanical Garden (www.nybg.org)
was sustainability.  
Sustainable garden designs. 
I can’t deny that all great garden designers have pretty much always practiced “sustainable, creative, practical garden designs” (as the NYBG brochure explained).



Nevertheless, the series was entertaining, informational and topical. 
The atmosphere surrounding the lecture is horticulturally collegial – we garden sprites get to mingle with fellow garden and plant lovers. 
Bookending my Lecture Series experiences was high drama and zen serenity. 

First Lecture:  Englishman Dan Pearson
Into The Wild

Spirit: Garden Inspiration


“You seem so calm… ”We’re so late,” I sidelined to Phyllis Odessey from Randall’s Island as we walked to the New York Botanical Garden (NYBG) lecture from the train station. (Manhattanites must take the train from Grand Central a few stops north.)

Well, truth be told, I was scurrying and Phyllis was the picture of calm, garden peacefulness. 
“It doesn’t start till eleven. “ she said. 

“No, it started at ten.” I advised.    I wanted to explain, but was conflicted about slowing down to do so. 

“What?” Phyllis exclaimed.  If I’d known that, I wouldn’t have come…” 

While slaloming in around the parked cars, I shot back to her the drama of my commuting saga: missed the 9:25 morning train from Grand Central because my MetroCard came up “insufficient” funds from the swipe at Union Square that in turn made me have to reenter the subway station from the other side of the street.  

Finally, we were inside, ushered immediately through registration like VIPs. 
(Well, there wasn’t anyone else waiting at that point, either.)

As if on cue, we split up at the door to the lecture hall door to find any available seats. 
It’s packed.  SRO.

But what was bad news for the capacity audience, turned out to be great news for us:  NYBG’s vice president, Todd Forrest (in a “you can’t make this stuff up name game, he was the curator of the Garden’s Forest at one time!) kicked off the lecture – and talked a bit long, we were told later -- for about 30 minutes…
That overture, coupled with Dan Pearson’s preamble about his early childhood, put us in the perfect time zone for being seated just as the meat of the lecture got under way. 

Thanks for waiting for us.

Qu’elle chance, after all J

I could listen to Dan read the phone book (lovely British accent) and his dreamy, good-looking-Paul McCartney-Beatle countenance makes for added visual stage presence. 
Given his rock star status as an international landscape architect, the analogy is not too far off the mark. 


Dan visually displayed work from his portfolio while providing the back story of how he got the jobs – very amusing tales; his inspiration for the garden designs: employing a very strong sense of place, amplifying that with indigenous plants, along with manifesting the owner’s garden style.

You had to be there to appreciate Dan’s demeanor. 
In part, it helps explain his seemingly spiritual, ethereal commitment to natural gardening -- to creating gardens found in your dreams. 

Dan is the kind of artist who always knew his calling. 
Early on, he recalled, he was told to “Follow your heart.”  
After seeing Wisely and Sissinghurst gardens and the Valley of The Flowers, it’s no wonder he claims to have known then he wanted to emulate nature– not control garden spaces. 

Dan took the opportunity to speak about his devotion to using a collection of plants. 
He prefers to employ a very large palette of plants in his designs. 
He plants to encourage wildlife in the garden and to maximize an outdoor space to better experience every season. 
He reminded us of the sheer beauty of a garden’s ability to constantly change. 
It’s never boring.  (Don’t over manage a garden.  It’s silly)

He regaled the audience with the story of how he was hired to redesign a family estate garden in Torrecchia, Italy. 
The wife saw his work at the Chelsea Flower Show while in attendance; phones him the next day to confirm he’ll take the commission; June 1st he is flown to Rome and she picks him up in her small red convertible sports car.
Drives very, very, very fast to the “medieval hill village of her family – while chain smoking!

In describing a Los Angeles garden design – especially the hardscape - he demonstrated how good gardens reflect that ‘sense of place’  -- a contextual classicism that is never out of style -- that unique “only-here” feeling that mimics Mother Nature’s local “look.” 

He also said “A garden is like a good clothes horse.”
In other words, the plants will make the structure - - or the “bones” of the garden sparkle in every season, while always connecting with the owner’s style.

Did I say I loved Dan’s use of fashion-as-style metaphors and artsy references?!

His work went on to embrace large land forms – architectural gems he creates that are vast, rugged. 



One of his earlier designs like this is the Yorkshire Broughton Hall, located not far from Leeds in England. 

I was charmed by his research for the dry stone walls – part of the local vernacular of course.  English estate landscapes employed a series of similar walls – they were called a Ha Ha and used to keep the livestock from getting too close to the “house.” 
(Can you guess why they were called Ha Ha?  You have to love that English sense of “humor.” ^:^)

Here Dan worked in a limited style, using sweeps of perennials, and was mindful of the garden’s maintenance for this 2-acre site (there are one to two gardeners a week to do all the work.)

But what must be his favorite project – certainly it seemed his most dramatic—is the Millennium Forest, (http://www.tmf.jp/index_en.html)
Curiously, or ironically, or logically, the project to maintain and, in some areas, reproduce the area’s pristine forest that is being encroached by farmland, is funded by a successful newspaper magnate… (trees=paper—I know you get it, but just in case…)

Dan’s description of how he got involved in the Millennium project sounded somewhat like a friendly fraternity hazing. 

About 10 years ago, Dan was contacted by Mr.Takano, the landscape architect for a prominent newspaper magnate.  
In the Japanese tradition, there were a series of meetings before any formal agreement was considered.  Mr. Takano was gauging how he and Dan and their client might work together – spiritually, philosophically and physically. 
Finally, lured to the Forest by Mr. Takano’s invitation, the two experienced the forest in a -35 degree Fahrenheit winter evening final “test” including hot springs and – what else – a shared beer.

It wasn’t long after that when Mr. Takano asked Dan to prepare a master plan to create a sustainable environment there – that would last for 1,000 years and at the same time, become an ecological park where people would be prompted to ask, “What does it mean?”

Acknowledging there is a national Japanese reverence for nature, Dan suggests it can more often than not, be one step removed.  Not unlike most of the rest of the world’s increasingly urbanized populace, most Japanese lived in an environment with little connection to nature. 

So while Dan and Mr. Tanaka and the team may have changed the topography, created mystical pools and paths and siting areas for visitors. 





Dan also created the land forms that seem to touch the sky. 
One of his favorite recollections about dealing with his on-site Japanese team from his remote English location – was after the first snowfall, was getting a call from saying his natural, land form mounds were said to look like  “a series of meringues.”
Come on, does it get any frothier than that?   Sigh…



Dan employed 19 different planting combinations – each has 5 or 6 different plants sizes and blooming times (depending on vigor or “like DNA”
He used 35,000 perennials (hakone to hosta to cimifuga)
He used natural trees and a palette of perennials – many North American -- and mixed them with Japanese natives to combine native and exotic has general, global values so that visitors will note than their own natives.

Moving on to the Q&A, Lyndon Miller asked, “How does the Japan project sustain itself?”  Dan said, “ Good question.” Then elaborated.  “Education – they’ll develop programs and classes to attract a paying audience in addition to generating visitors.” 
The benefactor/magnate will continue to fun the project for 10 years.

Dan signed books for the attendees.  


Here I am with Dan:






























Phyllisodessey.com