Saturday, March 31, 2012

Architectural Digest Home Design Show Recap


While the phalanx of decorators, designers, artisans, chefs, color experts, garden decorators and gurus have flitted off to the next stop on the Spring schedule, there is much to “digest” from the this year’s 2012 Architectural Digest Home Show with its range of art, fabrics, outdoor products and home furnishings.


Held at the Pier 94 Event Space perched on the Hudson River  - it is an ideal space for the show: in town, yet basking in scenic water views on one side and fronted with the majestic Gotham skyline as seen from an artist’s distance and perspective. 
The fact that Mother Nature graced the four-day event with picture-postcard sunshine only added to the serendipity of the annual gathering.

This idyll George Gershwin image of New York was only pierced by my over-subscribed schedule and my race uptown in a cab to catch the “Evolving Kitchen” talk, sponsored by La Cornue. www.lacornueusa.com

The AD Home Show was open on Thursday to the trade and I was so looking forward to the early-bird preview into what’s trending, what new vendors and classic vendors had to say for themselves after a rather tumultuous year.
See, I had my usual Thursday post-dawn class at the health club and figured upon return I’d do a quick blog story post and be coolly and appropriately well appointed and stylish for a day at a style show.

Life has other ideas.  And it can be particularly humbling. 

Plan B:
Scoot up for the talk and then back home for the shower and kitchen conference

It was so good, followed by a lunch at the La Cornue pavilion courtesy of acclaimed trendsetting chef, Jonathan Waxman.

Plan C:

This show was far too compelling to leave! 
It was nearly 4 pm – and after the keynote address by Architectural Digest Editor in Chief, Margaret Russell before I realized it was pointless to head back downtown before meeting my husband at the show.

Thursday was the Trade Seminars and I was understandably keen to learn from each presentation.

First up was “The Evolving Kitchen” sponsored by La Cornue.
The panel was comprised of legendary chef Jonathan Waxman—a pioneer of using fresh, local ingredients and successful restaurant owner, Barbuto, Jams, and Top Chef Master, along with panelists Anne Purcilli, La Cornue, and kitchen designer Karen Williams. 
The talk was lively and inspired.
Thoughts and prognostications included: 
·      No doors on kitchen cabinets – “Let’s just see what’s available and ready to use in the kitchen for cooking
·       Heaven’s no!  Must have doors on the cabinets – “Not everyone is so tidy!”
·      Future is electronic cookbooks – “Cookbooks are too hard to use in the kitchen. Will have virtual cookbooks (yeah for me -- as I took video for my book, The Hamptons & Long Island Homegrown Cookbook http://tiny.cc/b435)
·      Rotisserie is must-have kitchen tool
·      Summary:  homeowners have to do their individual or unique kitchen – one size or trend does not fit all

Lunch at the La Cornue pavilion was a delicious mix of foods and wine, with everything presented in the handsomely appointed home kitchen display. 
The backsplash was spectacularly intriguing: it was a beveled mirror-like texturing that I’ve only seen done in stone.

Kudos.  Chef. Jonathan was as gracious and fun as if it was indeed he was hosting his own kitchen soiree. And I guess he was.

He posed for pictures, interviews, and was chatting it up with me.  Thank you.

Fueled by the delicious food and the trade-only access I scooted to check out the show highlights.
I Tweeted news from my @gardenglamour Twitter. I do have the @chefsgardens Twitter too)

My highlights listed here first, followed by AD’s recommendations, of which I didn’t see until after the show, so the two lists make for a curious balance.

My Favorites and Recommendations and in no particular order except for Italian Terrace pottery. 
Louise Drayton, the English beauty & talent behind the Italian Terrace Pots
As a garden designer, I was beguiled and impressed by Louise Drayton, the British based designer and her 15-year old, 12-time Chelsea Flower Show award-winning company, who was showing for the first time – formally-- at the AD Show.   

Garden and Outdoor Discoveries
Italian Terrace pots -- This is a real find and what one hopes to discover at a design show.   The pots and planters are a glamorous, rich and creamy, dreamy-looking terracotta designed and made by – drum roll please – a gardener!  
Not unlike my design for the Garden Pendant Collection where the water reservoir was critical to the overall design because it was so critical to the health of the plant.
Louise Drayton the founder, artist and plantswoman who hails from Bury St. Edmunds in Suffolk England (more on the Bury in Bloom contest in a later post – but suffice to say, I just realized what a small world it really is.)
Elizabeth made it a key design principle to produce pots that can endure a colder climate and allow for drainage and optimum soil and planting.  It didn’t hurt either that Elizabeth’s husband is a farmer – and a musician.

Why is this important and so different from other pretty pots? 
Other pot makers are not gardeners. They may have come to the business after admiring Italian or Aegean relics and saw a business opportunity.
For me and my clients, we’ve enjoyed various stages of success using high-end terracotta, as well as high-end resin pots.  Both elements can be beautiful.
However, the terracotta is made for a warm – i.e. Italian or Mediterranean climate.  Frost, and cold winters (usually the norm, this year notwithstanding) will contribute to cracking.  This is difficult with big pots that need to be moved. 
Especially so if the recent economic crash left you two servants short of a gardening clutch.
If you have a surfeit of servants to move the pots to the Orangerie for the winter, no worries. For the rest of us, we are pot out of luck.

And further, both materials require drilling into the pot that can lead to weakening of the structural integrity of the pot as time goes on.

The Italian Terrace pots come with instructions. Not because they are difficult to use. No, but rather because the makers are thoughtful. And nice to the stewards of their designs – and the plants that will call the pots home.  A quick reference guide aka Advice and so labeled, is brimming with tips and terms from how to choose pot feet, why oil jars don’t work for planting unless you employ the pot-in-a-pot method, cleaning, weathering, a suggested list of decorating toppings and root and box pruning.  It is recommended to clip the box on Derby Day! The Derby Stakes take place early June for all you non-Brits  :) 
There are four easy steps to happy plants.  I love lining the pots with fabric liner. So smart.
And they even recommend planting snail favorites like hosta with eggshells or garlic or cloves – which the critters hate.

The beauty of these pots cannot be overstated.  I found them light and creamy and very elegant.  
I learned the dreamy look is due to the fine Italian clay the makers use, a secret recipe, along with the hand finish rather than the “harsh bitter-red” of the machine produced pots.  “The Italians have forgotten how to make terracotta pots,” claims Elizabeth.

Getting the booth set up. The beauty of the Pots!
I can see the Italian Terrace pots gracing garden rooms from traditional to mid-century looks.  There is a complete product collection including oil jars, vases, statuary, plaques, Etc., and Bespoke.  

I was imbued with the spirit of this garden and plant-focused designer and her team.
Her garden art is unique because of its handcrafted beauty; the pots are carefully designed and made for the plants. This is utility with beauty.

www.italianterrace.co.uk  and email is: info@italianterrace.co.uk  There is a US-based contact in Connecticut: Liz, who was a customer five years ago before encouraging Louise to set up a company.

The Padma Outdoor Collection showed very handsome and creative designs. Their Inside/Out collection works for me for mid priced good-looking quality furniture.  “Uncommon luxury and design."  www.PadmasPlantation.com  



The double chaise lounge with sun cabana looked romantic and seemed to crook its come hither wink at me.  I complied and sidled up to get a better view.
Skyline Design represents a few manufacturers – rather a hub of good outdoor furniture collections.  www.skylinedesigns.com  Just got a follow up email from them.


The copper outdoor Japanese soaking tub from Diamond Spas literally took my breath away as I come upon it after turning a corner at the end of the aisle.


It is rich looking. Natural looking, embracing the elements.  All the Diamond Spas products are hand made in Colorado including stainless steel, copper and bronze spas, swim spas, swimming pools, cold plunge pools and water features.  My outdoor room garden designs will surely be enhanced with these unique products.  Available in a variety of sizes; with jets or without, built into the side of a terrace, a garden space or outdoor room, this is magic.  www.diamondspas.com  800-951-SPAS 

SeaOtter WoodWorks, Inc.  – A new design concept, the Japanese soaking tubs use Hinoki wood.  Hinoki is a cypress conifer, if you don’t know – you might have it in your yard.  It smells lovely – and in fact, the woman at the booth waved a handful under our noses and a pack of Hinoki shavings are in the press kit, along with light and dark wood swatch samples.  These tubs are hand-crafted in Alaska and are very intriguing looking.  While the company is new, the designs look solid and when asked if the wood develops a patina or changes color over time, they allowed they weren’t 100% sure but believed it would age slightly and nicely but not change.  The soaking tubs are available in a few styles and sizes and are, in fact, the real deal.  The tubs fired my imagination to design romantic outdoor garden rooms that are both aesthetic and transporting.  www.woodentubs.com and info@woodentubs.com






  
  


Royal Botania – showed Kokoon, a free-standing, Moroccan-looking hammock for two (or more!) with privacy sheer drapes that looked perfect for canoodling in.  When I suggested they call it the Canoodle Kokoon – they eagerly asked if they could use that line.  Sure thing.




Kokoon - perfect for Canoodling




The Belgian-based Royal Botania offers Kokoon’s garden furniture plus high design, luxury patio, outdoor furniture, and lighting with that European aesthetic www.royalbotania.com/us   


Oh, and part of their show promotion was to have you sit in their Surf hammock and have your picture taken by their photographer who posts all on their Facebook page.  Reluctant at first to have my photo taken due to the no-shower/lack of beauty preparedness – but then thought – what the heck, the photographer looked lonely on this trade only day – so I carefully scooted in –this is one big hammock -- to a laid back position before doing the semi Lotus yoga pose.  I have to go to Facebook and ID me and Like it or me – as part of the Modenus Photo Find contest.    

Kalamazoo – the outdoor kitchen company continues to set the pace and raise the bar. This year, they featured a hybrid grill that allows the home BBQ to have it all: gas, charcoal and wood.  You can cook with one or all – at the same time.
They “personalized” the cooking, according to company president, Pete Georgiadis, who showed me how you can cook fish, meat and vegetables simultaneously even though each requires a different kind of cooking surface.  Now you have it. There is a new hibachi-like surface so no more slipping between the grill like too many burnt marshmallows.  

Characterizing the benefits of the Tuscan pizza oven, Georgiadis said, “You don’t need a vacation…” I thought he meant because the Kalamazoo set up in your backyard wipes out the need to go anywhere.  I was wrong. He meant that while most pizza ovens take three to five hours to heat to a true, commercial grade temperature, the Kalamazoo requires only 20 minutes to get that pepperoni and perfect crust good-to-go!
He also claims they are the only outdoor kitchen manufacturer to offer a freezer and more beer taps.


This is a resort… www.KalamazooGourmet.com   












Tucker Robbins – a designer whose works of art seem to whisper forests and far-flung mysterious pockets of rain forests and waterfalls merely by looking at them.
Designer Tucker Robbins


In fact, not one to bite the hand that feeds him, Robbins told me he was the founding member of the sustainable furnishing council.  Sweet and whimsical are his chairs best described as ring-around-the-rosy or maybe as a group hug. 


Platinum Porcelain Bangle and Ebonized Bangle table are eye-catching graphics as are the Pierced Cubs and The Modernist Dining Table.  www.tuckerrobbins.com  and contact@tuckerrobbins.com

  

NanaWall – I love this open to the garden “inside/outside” design.  The folding glass walls make you feel like a powerful stagehand, or the hand of god opening the way to nature.  Not inexpensive – about 1K per foot, but also very efficient and effective and sustainable with its “thermal performance.”  There is no substitute and this look can yield years of unending joy.  www.nanawall.com 800-873-5673  

Boca Do Lobo – Scandalously, sexy mirror.  The Venice is noted as a work of art reflecting “light and the world around us.”  Had to Tweet this arresting statement from the show floor. The SoHo collection of sideboards feature different finishes from glass to wood veneer and lacquer color to mirror.
They also offer a twist on a chest of drawers.  www.bocadolobo.com  info@bovadolobo.com

David Stine Wood art


David Stine Woodworking – David presented a variety of one of a kind furniture all hand-made by him.  This man loves wood. Nails? Not so much! 

Strawser & Smith Inc – They claim their ethos is simple:  older is better. Here the Brooklyn-based craftsmen repurpose “remnants” and “combine contemporary and roughhewn shapes” to make some very cool picture using antique or vintage relic designs.

Bevolo Lighting – exquisite handmade lanterns from one of my most favorite cities, New Orleans.  The hand forged wrought iron “mimic historic styling” are evocative, beautiful and special as the Big Easy. Bevolo makes gas lamps too.  Don’t miss these amazing lighting art designs  Ashley@bevolo.com  www.bevolo.com  

Shiplights – Residential and commercial interior and exterior lighting designed by a young woman, Alicia Dermoday from Marblehead, Massachusetts, who picked up where her parents’ antique lighting left off. I enjoyed a lovely conversation with her proud mother!   I like that someone can still start a business and compete with the big guys in a design industry. Often inspired by a ship or boat’s lighting, the lighting designs are at the same time contemporary, industrial and romantic, given their provenance.  There is no crafty boat theme here, just good design.  www.shiplights.com, info@shiplights.com

Compass Ironworks – “elegance & integrity in wrought iron” is on their card. But it’s true.  Made by Amish craftsmen, these balconies, railings and specialty items resonate with dignity and enduring design.  I did attempt to take Amos’ photo for the blog, and he kept moving further out of the picture. Afterwards I asked him about this and he said the Amish think of a photo as a sign of narcissism – they think an image of themselves focuses too much attention on them.  Take that Kardashians!  But the ironworks themselves are very photo-worthy and a Pinterest all their own.  717-442-4544 (Gap, PA)  Just got a follow up email from them.  

Haiku – Billed as “performance art,” the indoor and outdoor ceiling fans are designed by engineers resulting in a sleek, streamlined look using their patent pending Thin Sheet airfoils – they don’t refer to them as blades.  The natural-looking Energy Star ceiling fan is a thin lightweight aerodynamic profile made of sustainable Moso bamboo, cut and hand-sanded in three finishes: Coco Bamboo, Black and White Matrix Composite.

The remote uses infrared signals to activate the control settings.
Unique company claims it is the quietest fan in the world.  Shhhh.  

















Nasiri:  A collection of expressive designs and colors using an ancient technique of flat weaves, that are hand carded using naturally dyed wool.  www.nasiricarpets.com

Qmotion by DFB has a new line of battery operated solar shades. No electrician work required. Pricey but a good idea.  www.qmotionnyc.com

BDDW Handmade American furniture  www.bddw.com

Caba Company – hand-pounded (ouch!) Barskin is organic, wool, fibrous texture and interest to walls, furniture and lampshades, giving it the look of stone, parchment or leather. They company says it’s easy to apply. The Crazy Lace Collection is crazy good.

Koket – with a tag line of  “Love Happens” it’s easy to see why I could fall hard for this look… Heck, I was smitten with their postcard. There is lots of sexy, romantic references with this company and their line of jewelry er, furniture for the home.  The Prive Day Bed was described as “not exactly flirtatious, certainly not sweet… guarantees sensuous drama”  Wow. Be still my heart. And pass the cigarette! The design is a jewel – with flora inspired adornments, “a delicate branch-like base, stunning bronze & crystal jeweled bolsters.”
www.bykoket.com or info@bykoket.com  Careful – they offer a Guilty Pleasures Collection.

Farrow & Ball – I love everything about this company. Their flawless attention to color and craft and details and ingredients puts them at the head of their genre.  As we are going through a home renovation, I can only wonder why every painter we interviewed did not include as part of their color palette offerings automatically.  There is nuance and brilliance in their collections. Their tag line reads “Craftsmen in paint and paper.” They inspire.   























Barbara Kaslow Designs – the designer introduced a line of hand-decorated lampshades with prints inspired from influences such as Persian motifs, Audubon prints and British mods.”  Pretty florals look like botanical prints.  www.barbarakaslowdesigns.com or barbarakaslowdesign@verizon.net

Beck to Nature – an eco-friendly, family owned company that makes designed furniture with sustainable materials. www.BeckToNature.com

Siebert & Rice garden collection is classic
















Pennoyer & Newman resign planters are gorgeous & the best customer service for  custom orders

















AndreaAmoretti - two brothers from Mexico make stunning, handmade pieces of copper art: lacy and like a mantilla too.  Beautiful, artisanal and classical.  And they have a NYC showroom.  Serendipity...
www.amorettibrothers.com  or andrea@amorettibrothers.com

The Made in America panel discussion looked promising.  It was a let down.
While it was hosted by my favorite radio personality, WNYC’s Leonard Lopate, a locavore food lover too, and a vote shy of the McArthur Genius Award in my humble opinion, he couldn’t seem to extract a compelling dialogue among the panelists.
Perhaps the choice of an arts dealer, and a trio of designers: jewelry, furniture and auto was either too disparate or eclectic but the talk never really got any traction to resonate with the audience.
And it did seem slightly ironic that the one panelist with the most to say about Made in America was the Chinese national – a former harpist – who is now head of worldwide design for Lincoln Ford autos. 

To be fair, there was talk about hand-crafting versus mass production but that’s not new.  The biggest take away seemed to be that Americans are now embracing hand-crafted designs much like foodies have embraced the locavore movement or hand-made clothes and rediscovering talents.
Cited were the increase success of web site www.etsy.com  and a pride in local designs versus the crafty, Christmas bazaar looking items of the 70’s.  “Craft is Cool” was said and the next thought was posited about the bad, post WWII designs were mentioned. Didn’t we move past that long ago, though??
And isn’t mid-century the hottest design look out there in no small part to the success of TV’s hot show, “Mad Men?”  If we haven’t seen a new look since the middle of the last century then design is in need of more inspiration…

And don’t true design aficionados seek out artisanal and bespoke items that resonate with them? 
A worthy thought circulated was how about designed and made here – in America…
In general though it all seemed a bit too banal…

The Lincoln Auto Pavilion was a gas – pun intended.   

The MKZ concept car was shown here even before the Auto Show.
It is indeed a designed thoroughbred that is in keeping with Detroit’s heyday.
The color is described as Bourbon and, sure enough, on nearby pedestals was a glass of champagne, a snifter of bourbon and a computer display with an aerodynamic manta ray: all elements that went into inspiring the Lincoln’s look. 



Excitement at the show for Lincoln & the designer

And in case you hadn’t gotten the message about the car’s homage to design – the pavilion was tricked out with pretty cool were the architect’s tables set up with clay and sculpting tools.  Show goers were encouraged to sculpt a “perfect” car in the design space. I asked one woman if it was her perfect car and she said it’s my dream car… Nice.










Later in the day, Lincoln offered some truly great swag:  set of six champagne glasses!

Highlights as recommended by AD:
·      What’s Cooking in the Kitchen – highlighted La Cornue and Liebherr. Check and Check.
·      Making a Splash in the Bath – highlighted Diamond Spas and See Otter Woodworks. Check and Check.
·      Made in the USA
·      Around the World – highlighted Nasiri Carpets. Check
·      Sustainable Standouts – highlighted NanaWall Systems and Beck to Nature. Check, Check.


DIFFA Dining by Design Press Tour




Ably led by award-winning interior designer, Dwayne Clark, (www.rdycny.com dclark@rdycny.com) who was asked to provide the docent-like tour of the press only tables scapes just 20 minutes earlier.
He was terrific – and bore more than a passing, uncanny resemblance to Carrie’s boy friend from Sex in the City!  

The 45 tablescapes were tableaus of art.  Each design told a story. The designers used materials from flowers to gems to fabric and odd pieces, combined in a way that was part Disney, part dream, part fantasy, part dining room.
The room was in fact, used, for the awards.
The entire space was dimly lit, showing off the otherworldly quality.

The press tour made its way around starting with the student entries “Where we all start – in design school,” noted Clark with fabulous creations from NYU, FIT, and Pratt,






through to some wowsy spotlights that included were the Ralph Lauren – who was honored at the show. He used lots of wood in the dining look nook.


Swarovski cherry blossom crystal chandeliers  (www.architecture.swarovski.com) – yes there were two heartbreakingly beautiful gems
in the Aqua Creations dining room where moving, video art – this was “bioluminescence” undersea water scenes by Marie Aiello Design Studio, was displayed on the dining walls for the first time. 






Marimekko
Marimekko was bright as Crayola crayons and groovy in a modern way.

Ethan Allen
La Crema
Ethan Allen had a nice, studied design.  La Crema had a sleek kitchen table. 

Clark described the effort and the finished works here in terms of their “sense of risk.”
The results were all rather magical and creatively inspiring. There wasn’t one table scape that you couldn’t learn something from. 
At the Liebherr appliance sponsored, vineyard inspired tablescape we were lucky to have the designer on site who enthusiastically described her ideas for the inspired, yet practical outdoor dining room.  “I wanted to create a place you actually wanted to have dinner in,” said the gorgeous in her red-hot dress, effervescent designer, Libby Langdon.

The wine bottle chandelier was whimsical and the look was luxurious without being pretentious.  www.liebherr.com and www.libbylangdon.com






We could readily see why Clark won for his dreamy tablescape.  He explained it all started with the woman’s bust that he found in Alabama, Lucite chairs and mirrored table under an extraordinary cloud-like chandelier.  Clark shared with us that earlier in the day a woman had seen the display and promptly fell in love, and ordered that chandelier – with its $50K selling price!  

























Keynote by Margaret Russell, Architectural Digest’s Editor in Chief
It was SRO for this talk – mainly about photography. Billed as “In Focus: Trends in Interiors Photography”

It was all about how to prepare projects for photo shoots and to promote designers work in print and online.  I found it a most curious topic for a keynote. I would have preferred Russell to use her preferred perch and perform a bit of prognostication – especially as this is her first show in the editor in chief position. This talk was more of a how-to/hands-on lesson – something I’d expect from a staff editor.
I was hoping for some big picture point of view and trends analysis and overview for a designed world.
But instead, there was lots of how to promote designer's work, copy right, lighting and dire warnings about Pinterest.  Seriously?    
You can put the genie back in the bottle on this one – and I love Pinterest and so do millions of others. I believe it’s fastest growing social network and of course appeals to the visually-inspired design enthusiasts.
I expected better from AD. Don’t stick your head in the sand…


One last note from the show.
Because I had planned to go up for the one lecture and then home again to get ready properly – but then didn’t -- due to the overwhelming interest of the show – I didn’t have my iPhone adapter with me.
And all the Tweeting from my @gardenglamour plus picture taking etc., left me with almost no power.
And no real help in the press room!  What was I to do? 
There is a goddess – and she appeared in the press room as Jan Parr, Editor of Chicago Home + Garden. She allowed me to use her adapter while she wrote her blog post and took in a bit of the extraordinary unseasonably warm weather. 
Don’t miss her smart coverage: www.chicagohomemag.com
Thank you so much, Jan!

Designers and writers are artists – and the people this year couldn’t have been nicer.
Smooooch xoxoxx!

And speaking of designers, I was thrilled to run into John Danzer, Exterior Decorator. www.munder-skiles.com
I interviewed John for the Garden Glamour blog the previous night – before we headed over to the NY School of Interior Design (NYSID) for the Wave Hill landscape design lecture, where as it happened, not surprisingly, many of the brilliant landscape designs from Thomas Wolf featured Danzer’s work. 
Danzer will be featured in an upcoming blog feature here.  Stay tuned.

Isn’t it a glamorous, artful, designed world?









Thursday, March 22, 2012

Metro Hort hosts Boxwood Diva Andrea Filippone


Metro Hort hosts Boxwood Diva Andrea Filippone

New York’s professional horticulturists meet in the “off season” at the Central Park Armory, nestled onto the rim of the Park, just nosing the children’s attractions that hold court outside, behind the imposing, rather Gothic-looking building, somewhat like a movie set for Alice in Wonderland.
Indoors at the Armory, at the winter meetings, Metrohort members look forward to gardening camaraderie, networking and learning about our passion: plants and landscapes.

Recently, all roads led to F2 Environmental Design’s Andrea Filippone, the horticulture world’s leading expert on boxwoods, whose talk “Inside and Outside the Box” explored the world of boxwoods.
What Alice Waters is to homegrown food, Andrea Filippone is to box—that staple of virtually every designed garden.  

Filippone demonstrated her confident knowledge of all things box, provided a cautionary “heads up” on the rolling thunder of virus, pathogens and pruning that is increasingly afflicting these ubiquitous work-horses of the garden.  She was common-sense, country doctor in dispensing plant RX advice, and provided a hand-out that is a gold mine of ready information about box, listing: Cultivar, Hardiness, Exposure, Size, Best Features, Other Feature (such as Form and color), Pruning and Substitutes. 
This was a Very informative lecture from start to finish.

Filippone quickly earned the audience’s interest and respect. 
She was billed as a landscape designer who “brings together the finest elements of design with ecologically sound scientific practice… She grows boxwood using organic methods. In the past ten years, she has started a boxwood nursery of more than 50 cultivars and now spends most of her time defining structure and space in the outdoor environment. She uses no toxic chemical pesticides or synthetic high nitrogen fertilizers in dealing with pest and disease issues such as cylindrodladium pseodonaviculatum, aka Boxwood Blight. She is a Watson Fellow.”

I think she could be the queen of boxwoods.  Her oeuvre is an inspiring, over-the-top palette of all kinds of boxwoods that extend waayy beyond the usual English and Winter Gem.

Just in time, too.

The MetroHort professionals who attended the lecture were transfixed as Filiippon, informed us about the virulent fungus, boxwood blight, now ravishing the staple of virtually every garden: the boxwood border or defining wall of many a “garden room.”

As an aside -- and not mentioned at the lecture is a very interesting piece of garden history as it relates to boxwoods:  in conducting the interviews for my soon to be published book, “The Hamptons & Long Island Homegrown Cookbook” that explores the nexus of culinary and garden art – how master chefs are inspired by their homegrown farmers and fishermen – I learned that the owner/steward (13th generation to do so) of Shelter Island’s Sylvester Manor, Bennett Konesni family brought boxwood to these shores. Here is the excerpt from the book:  farmer and executive director Bennett Konesni’s ancestors owned the entire Island – which for centuries was virtually dedicated to farming and that early on, Bennett’s family not only brought many heirloom vegetables, especially tomatoes and potatoes to America, he claims the family also introduced the now ubiquitous boxwood to the American shores, for which landscapers and gardeners from Long Island to Charleston to San Francisco pay homage to the family! Then as now, the secret of the family’s longstanding garden success is the soil.”

To pre-order my book "The Hamptons & Long Island Homegrown Cookbook" at B&N, Amazon:
or




Just like Sylvester Manor’s farmers, Filippone too stressed the importance of planting in good soil.
If boxwood is planted in clay soil, the box is under stress and can turn orange in color. 
Discoloration is due to lack of nutrients. She advises to do a soil sample -- both a textural and chemical test.




Also a problem for boxwood is common pests. 
English boxwood is very susceptible to fungus, in particular the defoliating leaf minor, which can cause a blistering, at the end of leaf effect, peeling the leaf apart.  

In images on the screen (she also brought along healthy plant samples), she pointed out the larvae feeding inside the leaves. “They lay their eggs in spring, stay through the seasons and then emerge out of the back of leaf” she said to much “nervous” laughter as the hort pros wistfully recognized this look.




How to deal with this and the fungus that causes the cupping effect:
            * Don’t plant with too much density or too tightly planted –
               English boxwood need air circulation
* No wet feet.
            * Plant other box cultivars.  “Don’t plant only English
               boxwoods!”
* Use organic solutions – spray with insecticidal soap

She recommends that this year – due to extraordinary warm weather because of climate change – to check earlier than normal in April to see if flies are present, swarming the box – in order to confirm leaf minor.  If so, spray so they can’t lay more eggs and then cut the branch off and burn it.

Filippone also humorously – but emphatically - pointed out the importance of curbing dogs!  “The heat of the urine turns the box brown even after just one time. It can ruin the box plant,” she claimed. 

Three or four diseases hit boxwoods don’t get but she explained English boxwood phytophthora (plant damaging water molds) and suggests examining roots – if black, replace the box plant.  

Macrophoma is a fungus that makes leaves drop and look black on the inside of foliage due to dense planting, too much rain or high humidity. 
Solution:
* Prune as much as possible  (The boxwood queen is funny, too.  Maintenance?  “I prune when I get to it,” she says.
*  Watch invest in drainage and irrigation
*  Plant different varieties








In general, she also admonished gardeners not to brush snow off boxwoods (not that we had any to worry about this year!) 
If you think you’re helping the box by brushing off the snow – you are not. The problem won’t manifest itself or be seen until summer.  You can break the internal plumbing. She explained historical gardens in particular, have this experience. 
Brushing or removing the snow can break the stem – and the break allows a door for the fungus to set up house, creating a canker. (What do fungi know of decorating?!)
 
Solution:
To remedy the problem once it has occurred, and after all threat of a snowstorm, cut past the canker.  She says the plant will eventually grow back.
Let the snow melt – the plant will slowly upright itself and come back, according to Filippone.  Note: during a discussion after the Wave Hill lecture last night with the fabulous & dreamy Thomas L. Woltz, Nelson Byrd Woltz – a post coming soon about his work! – there was talk that may have understated the case for brushing snow off the boxwoods.  All the hort pros agreed that if the snow is too wet and heavy, it will break the stems.  Consensus seemed to be to allow nature to orchestrate her snow dance for a dusting or light snow…

With regard to boxwood blight, Filippone advised: “Don’t panic.”  Rather she suggested employing all the solutions noted above to prevent from the blight from spreading.  Further, the blight won’t affect other plants.  Whew!

However, the black spot and defoliation can wreak havoc on the box within a week.  

The blight is vascular –  and has already devastated plants rapidly in Australia and the UK.   It was discovered in October of 2011 in Oregon, Connecticut, North Carolina, and Virginia.
No one is sure of its origins.
Experts believe it’s traveling with or through water – even if the rain causes leaves to touch its neighboring box it will help spread the fungus. It’s a sticky substance that can cling to clippers and clothes, so she recommends sanitizing. 
Also:
*Fungicides are unsuccessful
*Don’t fertilize boxwoods
*Drip irrigation is a solution, especially when used in the nurseries where plants are packed especially tight

Filippone went on to amplify the great variety of boxwood – this was the biggest take away – to learn the astonishing variety of available boxwood to gardeners.  There is a color and shape and sculpture to add variety and excitement to garden designs. And think winter wardrobe too:  

She and her team collected boxwood in Macedonia, partnering with Longwood Gardens.  Their goal was to recreate the Edgar Anderson hort exploration in 1934.  Filippone’s team brought 33 cuttings for cultivation Macedonia is a rich area for a variety of box, she explained, thanks to lots of temperate variance and micro climates there.
She showed tall ones and forests of boxwood and weeping ones!
She will monitor her boxwood cultivar brood for six to seven years.  Her goal is to see what the varieties can do in terms of color, year-round interest, and if they acclimate best for windy or cold sites.  Stay tuned for market updates!  

She has over 50 cultivars at her nursery in the Garden State. (www.ajfdesign.com or www.f2environmentaldesign.com)
She uses lots of ‘Justin Brouwers’ buxus sinica var.insularis  (planted 18” apart) and Green Mountain, ‘Morris Dwarf’ buxus microphylla var. Japonica.
She is 100% organic and uses drip irrigation.

Andrea invited all to visit her bucolic, glamorous Garden State nursery and home at any time.  I, for one, will be motoring to this garden-growing oasis soon.  (Of course, please your manners and do call ahead to the Boxwood Queen and hostess….)

Cheers!



Wednesday, March 14, 2012

Why Do We Need Green Spaces? Find Out at 92Y

Always at the intersection of the zeitgeist, The 92Y consistently produces compelling and topical issues and tonight offers a particularly "colorful" area of interest: the greening of our lives.  (And no, not just because it's pre St. Patrick's Day!) 

We viscerally know we need Green in our communities.  Find out why and how we need to preserve and protect and grow the Green Spaces -- the botanical gardens, the urban farms, the parks -- and in so doing -- the quality of our lives.   







The speaker, Don Rakow serves as the Elizabeth Newman Wilds Director of Cornell Plantations as well as the director of the Cornell Graduate Program in Public Garden Management and is a professor of horticulture. 
He is also the co-author -- along with Sharon A. Lee -- of the book: Public Garden Management - A Complete Guide to the Planning and Administration of Botanical Gardens and Arboreta. (to order call, 800-355-1751 or www.wiley.com/buy/9780470532133

I remain honored and humbled to have been chosen to provide the chapter, Public Relations and Marketing Communications for the book's Part I: Programmatic Functions.  The entire book is a must-have reference for anyone interested in horticulture and managing public gardens.  Recently, the New York Botanical Garden's School of Professional Horticulture secured copies for their top-flight, rigorous curricula.  Follow the leader!





Tuesday, March 13, 2012

The Horticultural Society of NY Hosts Elizabeth Barlow Rogers’ New Book Premiere: “Writing the Garden A Literary Conversation Across Two Centuries”


The Horticultural Society of New York (http://www.hsny.org) hosted Elizabeth Barlow Rogers’ latest book:  “Writing the Garden A Literary Conversation Across Two Centuries”

It was Leap Day – a rare calendar happening and a wonderful topper to the lucky-extra day-- another chance to celebrate the joy of gardening with the "Garden Lovers Tribe" who break away from digging and writing and designing gardens long enough to learn even more about the world of plants.


Elizabeth Barlow Rogers was the featured guest speaker.  She doesn’t really need an introduction. She is an award winning doyenne of literary gardening and horticultural architecture and art.  She is the editor of Sitelines newsletter and a library of books.  She is the president of the Foundation for Landscape Studies, a landscape designer, preservationist and writer—three of her books explore New York’s Central Park enriched because of her close association and work there in the great urban park-she was the first Central Park Administrator: http://www.elizabethbarlowrogers.com and http://blog.classicist.org

Rodgers is an almost elfin presence but with a commanding presence and pedigree.  It’s always a bit of a shame that it’s a challenge to hear her diminutive, almost whisper-like voice at a lecture.  And she reads the material  -- so that it’s more of well, a reading, rather than an energized lecture or talk.  But no matter, Rogers is engaging, has the acumen, experience and passion that legions of fans respect and are keen to learn from.   
Her research and curating garden writers who are passionate about the “philosophy, structure, and overall culture of gardens as in the plants they contained,” according to Rogers’ book   is extraordinary, top notch.  We need more of Rogers. Clone this woman!

Rodgers is a pioneer in advocating and emphasizing the culture in Horticulture – pointing the way to the crossroads of art and horticulture and history and literature. 
The book jacket cover, ‘The Garden in its Glory” is a luscious watercolor by artist Childe Hassam, admired for his New York City renderings that are an homage to Gotham.

Rodgers says she produced the book, “Writing the Garden: Books from the Collection of the New York Society Library based on the 2011 exhibition of rare books by garden writers co-curated by Rogers. 

Elizabeth Barlow Rogers signing my copy of Writing the Garden A Literary Conversation Across Two Centuries


The cohort of illustrious gardener writers featured in the book is a Who’s Who, Dream Team of garden writers.  I so love the way Rogers put forth the table of contents based on the lifestyle and passions of the garden writers, including Women in the Garden, Warriors in the Garden, Humorists in the Garden, and Spouses in the Garden.

Your library needs this book.  Order from Amazon:
Or call 1-800-344-4771 or email publisher at info@godine.com

Coming up at HSNY is Urban Gardening (3/16) http://thehort.org/programs_forums.html#uac2012
Keeping Ag in Urban Gardening -- featuring grand landscape design and horticulture gurus from Annie Novak, NYBG (www.nybg.org) and from Randalls Island -- all artists in their own domain: Phyllis Odessey http://www.phyllisodessey.com/ and EunYoung Sebazco http://silverflowerdesign.com/
   
You won't believe the amazing talent Odessey and Sebazco demonstrated in what surely is the City's first rice paddy.  
It's a fascinating story of edible gardening and urban magic:  http://ricepaddyrandalls.wordpress.com/
Not a surprise that the rice paddy garden captured the attention of no less a food icon than master chef, David Chang from Momofuku fame: http://www.momofuku.com/   

I will attend and cover the glamorous garden news.