Monday, September 26, 2011

Paradise Found at Metro Hort Garden Lecture


Social networking has its green scene. 
Laughter and chatter and welcome back hugs, along with a few air kisses, greeted Metro Hort members at the wine and cheese party that was abuzz on the garden rooftop of the Arsenal, overlooking New York’s majestic Central Park.  Skyscrapers perched liked distant sentinels frame the world-class oasis. 
It was a sublime soiree. 





In conversation bubbles that formed, dissolved, and connected, the group’s professional horticulturists eagerly shared their summer work project stories: garden travel, garden design, park renovations and the tribulations and triumphs of horticulture work during what has been noted as the second hottest summer recorded.  There were a lot of stories to tell.  

This year’s growing season had its share of climate change mood swings, that’s for sure – from hot to rain to storms of the century. 
But horticulturists and gardeners prevail!

Metro Hort’s premiere lecture greeted the new series’ season with Emil Kreye & Son’s talk and picture show about their work constructing rock and water landscapes. (www.emilkreyeandson.com)
Luke Kreye, Emil Kreye & Son

I think it’s safe to say that Luke’s presentation about the challenges and problems of building their gardens left the members a bit breathless. (One rock garden project is 400 feet long and 23 feet high.) The scope and scale of their work is beyond what most members’ typical projects consist of. 

These are rock gardens for the dinosaurs.  
No dainty screes or diminutive blossoms here. 
These landscapes are colossal. They require heavy, massive technology to move the boulders from the Pennsylvania quarry to their clients’ yards.   
Er, estates. Or compounds. 
See, the Kreye’s client list is happily upscale.  Keeping up with the Larsen’s – of Long House Reserve – and Frank Cabot’s Stonecrop -- and the family who started Bed, Bath & Beyond takes them, well, beyond more than curb appeal. 
When the question of how much a garden design like this might run, the answer was “a lot.” When pressed, Luke said a suite of steps might run $50,000. 
And believe me, these landscape designs were comprised of more than a few stairways to heaven.



The awed members expressed true admiration and respect for the work.
There is palpable pride that four generations of Kreyes know their craft and design with nature. The family tree must surely possess a family garden god or goddess that imbues them with garden power to design ravines, cascading waterfalls to rival national parks, and moats fit for a king – or hedge fund manager.


The feature water gardens or “water installations” circulate water all year long. Water flowing around frozen ice sculpture in their design work is a construct of engineering that creates a living work of art. Some of the waterfalls grades were 150 feet high and the landscapes embrace more than 10,000 pounds of rock.
They’ve created bird sanctuaries.  The water builds microbial colonies, the shrubs are planted to contain waste, rocks and other plants especially ferns, too.  Koi are used in all the ponds they create.

The Kreyes change the topography. The create ecosystems. Designed filters and EPDM rubber linings – so no leaching Luke claims -- support the infrastructure and operation. Overflow water is directed back into the drainage system.  They heavily compact the earth. They use native plants and the result is a landscape tableau that looks likes it’s always been there. 
Alternatively, some gardens have no plants.  It’s rock and water.  And the landscape is a “staged installation.”

Luke describes the design process as visiting the landscape and getting a feel for the site. I couldn’t help think of the mise en place, or spirit of the place, speaking to the family.
Quarry
They then go to the Pennsylvania quarry and select the stone. 

Then they reassess on site before moving the rocks to create that ideal sense of realism.  “We don’t want to be moving around rocks that can weigh more than 200 pounds, “ Luke pointed out…
“And I personally know every rock in every design,” he states with confidence and pride. So while the designs are outsized, the personal, customized oversight permeates every project. 

Luke and his father design the landscapes, His father – who was in attendance at the talk – details the work.  Each project takes about a year to build, according to Luke.  Technology has allowed the family to create more landscape fantasies.  





A completed installation in the Kreye portfolio was just manic over the top – a real conversation starter. 
A Old Westbury, Long Island family visited the Atlantis island resort and came home determined to build a water slide like the one there. (and here all I got was a t-shirt!)

Kreye’s landscaped or manipulated the yard to make way for not only a water slide but a pool and other impossible water works that would make Poseidon blush. They used cherry laurels to hide a lot of the slide structure so one has the sense of sliding through a forest glen.

Luke dutifully displayed the work at his own home in Oyster Bay, Long Island.  He even invited Metro Hort members to visit for a tour.  “We give three to five garden tours a year,” he noted.   It is sensational to say the least.  “We use as many plants as we can,” he said while showing Eden-rock like images of waterfalls and moats. 
Paradise found…     

If you are a horticultural professional interested in becoming a Metro Hort member, contact the association at:



Saturday, September 17, 2011

Horticultural Society of New York Lecture with Maggie Lidz, author of "The du Ponts: Houses and Gardens in the Brandywine"

The Horticultural Society of New York hosted a lecture to mark the release of Maggie Lidz’s epic book, “The du Ponts: Houses and Gardens in the Brandywine.”
The subject material recalibrates the concept of “Curb Appeal.” 

The speaker was author and Estate Historian Maggie Lidz (That’s what it says on her business card. How glamorous is that job?!)
Author and Estate Historian Maggie Lidz

Lidz demonstrated her thoughtfully researched, and from the sounds of it, well-curated approach to the book. 
“We decided we’d concentrate on the du Ponts’ Brandywine estates only,” Lidz explained.  While she has the world of du Ponts at her own click and Google, she nevertheless had to determine which of the houses and estates to feature in the book. 
See, the du Ponts may have been simple folk of French descent but they did have multiple dwellings that could be the envy of any self-respecting hedge fund director or the Jolie Pitts.  From South Hampton to Montecito to New York City to Palm Beach, the du Ponts had all the right addresses on their stationary.  No frets.  The Brandywine zip codes offer more than enough for any garden enthusiast to get lost in for a long, long time.

Clearly at ease with the subject matter and obsessed about her protagonists -- in a very good way, Lidz offered a lively and informed talk, accompanied by expository images: most rare and some never before seen, that are included in the book.

This gave me pause to reflect how lectures offer a rare opportunity to learn so much about a passion. 
Why is it that so few attend live events – whether it is music or lectures or demonstrations?  That is another story but I can offer that seeing and meeting experts like Ms. Lidz enrich our lives and our culture.

How else to describe how Lidz’s years of dedication and knowledge and research culminate in a story about American immigrants who did good for their community, who changed the course of commerce, business, and through their ensuing wealth; elevated horticulture.

Lidz’s talk led us through the history of the family – from the 1800’s gunpowder making and the Italians brought to Delaware to work in the factories through the du Pont’s business diversification to synthetics, General Motors and “science-based services and products.” 
The resulting, outsized wealth enabled the du Ponts to design and create gardens of unimaganable grandeur and fantasy and sophistication.  “Horticulture itself was extraordinary in Delaware,” said Lidz.
The du Ponts took it up a notch or ten. 
It is somewhat difficult to imagine in this day and age in terms of present landscape design aesthetics, and therein lies the discovery – the inspiration and magic of what gardens can be and how they are enduring if yet ephemeral cultural art.

The generations of du Ponts and their gardens represent all the allure of great country houses from the Gilded Age through post World War II wealthy America.  After all, how many country homes could boast such a large staff that they could host their own baseball team – as we discovered the du Pont families did?! 

Clearly, it was the gardens that made du Ponts unique and part of the country estate movement, according to Lidz.
We learned how the du Pont family cultivated acres of single-species gardens and perennial borders that might make Vita Sackville West blush.
For example, Lidz described how the iris gardens could be one to two acres, designed in an Iris Bowl style that became very popular with a certain swanky garden set.
The Iris Bowl is/was a tiered garden planting designed so that one could be standing in the center of a stadium of blossoms -- surrounded by fragrance.  For the approximately eight days a year the iris bloom.

Personally, I applaud the pursuit of this garden style. 
While clearly those of us without the means to practice this kind of unrestricted, high horticulture would find it impossible to plant gardens of this scope, I do think we should practice the more seasonal, sustainable and successive plantings embodied in the Iris Bowl design concept, rather than make so many of the plants in the garden workhorses that perform from Pasadena to Palm Beach.

I was struck by another keen point Lidz cited in a news report of the day in 1942: “Gardening is considered part of the national war effort.”

We should certainly be making more of the same claim today…

Given their legacy of community support -- and long before the Garden Conservancy –(www.gardenconservancy.org) the du Ponts opened their private gardens to public visitation.  Lidz showed a classic traffic jam of motorists in their Model T’s in line to get into the garden. 
See—our lust for enjoying and experiencing gardens has a legacy.

In particular, Lidz described the different “mindsets” that informed the garden styles of the three du Pont cousins that characterize much of the book, all of which are museums or public institutions – sort of brining it full circle.




















Today, there is Longwood Gardens  (www.longwoodgardens.org)  and Owl’s Nest Wilmington gardens designed by two of my favorite landscape architects – and women! -- Ellen Biddle Shipman and with later work by Marian Cruger Coffin. http://tiny.cc/pqbfi  FDR Jr married into the du Pont clan and the news was TIME magazine worthy:  





More from the Cultural Landscape Foundation:

The lecture fuels a discovery to learn more about the du Pont’s unparalleled contribution to America’s horticulturical legacy.  There are many stories here to explore from the du Pont family to very intense garden design and landscape architects, as well as interior design – many of the du Pont homes are decorative arts museums today run as non-profit cultural institutions. Especially noteworthy is Winterthur, the du Pont estate named for a family homestead in Switzerland.  It’s spring garden is breathtaking.  (www.winterthur.org)  

Lidz pointed out an odd strategy the du Ponts employed: they used local garden architects for their homes and nationally-recognized landscape architects and garden designers.  This was the opposite of what was generally done in their day.
I say they got it just right.

Published by Acanthus Press (www.acanthuspress.com) 228 pages, filled with photos, Lidz’s book is must have for any garden-inspired library – and coffee table.
ref=dp_image_z_0.jpg




http://www.amazon.com/Ponts-Houses-Gardens-Brandywine/













Thursday, August 25, 2011

Metro Hort Tours Brooklyn Bridge Park


Let’s just get it out there. 
The Brooklyn Bridge Park is breathtaking.
It’s a landscape architect’s loooonnnggg dream come true. 
More about that later.
Point here is that the time from “Let’s build a park” to what is gracing the Brooklyn waterfront is a gestation period worthy of a sci-fi epic. Or in other words, NYC politics.

Fast forward to the spectacular, park of today. 
The genius loci is one visitors can truly believe is the way it has always looked. 
Isn’t that a hallmark of great landscape design?
Not unlike Manhattan’s Central Park, where most people think the land was preserved the way it was rather than the real history of cleaning out tent cities and squatters to design a more healthy and beautiful city park in the tradition of the great urban European parks. 

One cannot over emphasize the current NYC Bloomberg admiration’s efforts to provide more parks, bike lanes and more “green” lifestyle alternatives. 

And so, after more than a decade of work, the Brooklyn Bridge Park is alive, real and enjoyed by so many citizens that it should’ve been deemed a crime that it wasn’t completed sooner.

On the recent tour of the Park with the Metro Hort professional association Park tour, (www.metrohort.org) we not only saw families and locals enjoying and using every bit of the Park, there was also a nighttime, open-air movie on the newly made hill/swale that looks out to the Statue of Liberty to the South and Manhattan to the west.
Who needs cinema with that kind of built-in view and skyline?  In any event, there were blankets hosting hordes of lucky lookers the night we were there!

The cloudless, summer evening started off swell enough. 
Emerging from the #2 subway at Clark Street, proceeding down to the waterfront to the Ice Cream Factory meeting point, one crosses over first Pineapple Street, (how cute you think!) then Orange and Cranberry Streets before blinking back the thought you are in a game of Shoots and Ladders. 

L-R: Regina McMyer, Matt Urbanski, Sabine Stezenbach
Landing at the assigned Pier 1 gathering place, we are greeted for the tour launch by garden enthusiast and Metro Hort organizer extraordinaire, Sabine Stezenbach, who introduces Regina McMyer, president of the Brooklyn Bridge Conservancy, Rebecca, director of Horticulture, and landscape architect, and passionate park planner, Matt Urbanski, a Principal of Michael Van Valkenburgh Associates and a lead designer of the park.  

We learn that Matt has worked on the Brooklyn Bridge Park (BBP) since it was conceived, approximately 15 years ago.  The ardor he feels about the making of this oasis is palpable, his love never waning over the course of its flight from CAD conception to a green, fun-filled place of beauty.   Matt should be named the patron saint of BBP as his husbandry of the space throughout the decades and the commitment to using history and native plants is evident.  He is therefore also the perfect tour guide.  

The large group followed our enthusiastic Pied Piper leader along the crushed granite walks that meander throughout the new Park for what was to have been a 90-minute tour. We were so captivated and Matt was so energized, we reluctantly disbanded at around 9 pm, forging on way past the original half-mile destination to Pier 6, and instead made it all the way South past the piers and Children’s Garden to Atlantic Avenue.

The first phase of the Park is approximately 1.3 miles along the street; 5 miles along the water, explained Mark, because the design team added crenellated shoreline, employing cuts and curves.  He also explained that Pier 1 is a “misnomer” as the area here is landfill.

The throbbing, beautiful “entrance” to the park is studded with the iconic restaurant, The River CafĂ©, the seafaring-picture-postcard-looking Brooklyn Ice Cream Factory and the old barge, that is now home to enchanting, ethereal musical performances – all perched “under” the visage of The Brooklyn Bridge and its cathedral-like buttresses and spider-web tension wires that have inspired artists, including Georgia O’Keefe, along with legions of foot travelers and tourists who walk the bridge as a rite of passage. 

It is pointed out the existing structures provided the reference for scale to the landscape designers, integrating the new pedestrian space to work with the existing scale: The Brooklyn Bridge, along with the Fulton Ferry Terminal.  
 
Pier 1 belonged to the Port Authority of New York and New Jersey.
The area was used to unload food off the ships and boats.  (See, Brooklyn’s acclaimed food heritage is pedigree.) 
We could almost see the scene in our mind’s eye as described by Matt as he told the story.  “By the late 1950’s the stevedores could be found slinging the sacks on ropes into the sheds that were built on the piers to store the food from the containers.  By the time work started on the park, it was as if it had been in a time capsule or “time warp,” he said.  “The question was not so much to rebuild but to repair.” 
The design team was committed to preserving the spirit and history associated with the space, yet creating a park that served the communities needs now and going forward.  It is a brilliant, thoughtful design with great respect for the history of the space and its contribution to the life of the city. 
Before I could post this story, the NY Times ran a related piece today about the waterfront efforts. How timely! http://tiny.cc/l79q3

Matt shared a key landscape design consideration was how to introduce someone into the park and work with the view, he says while gesturing wide to sweep in the drama of the Manhattan’s “skyline-as-attitude” casts its sexy footprint just across the narrow East River.  “No park has that! So we had to parse it out,” he laughs knowingly/confidently, while gesturing in a theatrical hand swoop.   

Matt details how they took a flat site, made a 30-foot hill of stone excavated from an access project site in Long Island.  “There are thousands of cubic yards of soil” used to make one space into multiple, interesting spaces.

Big plantings were a challenge, particularly the scale of the trees.  The need to introduce shade was acute, yet so was the need to protect or preserve the bridges and harbor views.  The resulting strategy is a “designed hedgerow.”

The London Plane, multi-stemmed trees are dense along the pathways: “They won’t swallow up the lawn,” Matt commented, while pointing out the emerging “green tunnel” effect they created, quickly adding that the more than 1,000 in-the-ground plantings have only been here a mere 15 months, the park having opened June 2010.” 

The trees are full at eye level now.  They were spaced fairly close together: 20 feet apart, rather than the customary, accepted landscape design of spacing plants to allow for the full growth mature plant to inhabit.  There are also some Honey Locust and Kentucky Coffee trees added in as a twist.  There was some discussion about this as Matt said the needs of now: “look and shade,” outweighed the idea of designing the space for 20 or 30 years hence.  “The design is about anticipated attrition,” he stated with smile, anticipating some disagreement among the horticulturists.  “Otherwise, we are disappointing park-goers for 75 years.”  
In turn, everyone chuckled to think most landscape design is indeed planted for the long term, meaning today’s park patrons must endure teeny trees so that their grandchildren can enjoy the finished product. 
There is a third rail and it’s working just fine at BPP.

The intention is that the trees in the hedgerow will push each other out – “fight for the light, then to give more views than now” Matt said.   

The sleek wire fencing is New Zealand sheep farming fence wire; the posts are native Black Locust and park staff can readily close off any part of a lawn without bringing in unsightly snow fencing.  

The plantings are dense, with the under plantings utilized to make a linear garden.  Varieties including ‘Blue Muffin’ viburnum and ‘Hummingbird’ clethra were used because they are intended to stay low, requiring “no crazy pruning” Matt and Rebecca added.  

Repeated was the important landscape design mantra of “managed succession,” according to Matt.  The idea is that old-field plants such as sumac or bayberry would give way to successive plantings: “To keep the plantings in a state of disturbance.”

When talk of irrigation inevitably came up, Matt said it is a big strategy for this park, and in no small part fueled by conservation and the fact that wetlands and the river border the park.  The water is directed into a drainage system to the Park’s “Water Park” then back up to a cistern.  From the cistern, the water is pumped into traditional sprinkler system/watering heads.
The idea is to recycle rainwater that covers 70-80% of the park’s water needs without taking any city water. Very impressive engineering. 

After a brief stop to admire the thousands of blanket-toting, picnic-packing park fans who had set up a perch for the evening’s outdoor movie, the MetroHort group headed onto the seashore rose-lined path to the Granite Flow Prospect area of the park that graces the promenade and precipice on the East River waterfront. 










Here, it is a series of stepped seating stairs designed to take in the Manhattan skyline and the Statue of Liberty views, while embracing the cool water breezes.  It is gorgeous granite; that could have achieved an Elle DĂ©cor or Dwell magazine kitchen-design photo spread appearance already. 

Next up was back out to the point to descend down a rather steep, lush, lawn to the same East River water’s edge.  One feels in a green blanket hallow bed, surrounded on both sides by high hills dotted with dense plantings of ornamental grasses and trees including Dawn Redwood, Pine and Swallow.  The lawn was so rich-looking it brought up the question of what kind of soil was hosting this verdant space that would make a golf-course groundskeeper, well, pea-Green with envy!  Matt and Rebecca explained there were seven different mixes of soil used, inoculated with compost tea. Plus, they claim there are no pesticides or fungicides used!  Excellent for the families sitting on the grass.  Or those scantily-clad denizens communing with a higher authority J  











The tour took us next across a bridge and out to the water area near the Brooklyn waterfront closer to Brooklyn Heights and the god-awful BQE highway. (What were they thinking back when??)
Matt told how they performed an engineering analysis of this site and wanted to make a “Big Ba Boom” moment as one comes around off the pedestrian bridge and turns to see:  drum roll, please: The Statue of Liberty.  The park planners and landscape designers succeeded brilliantly. The drama created should earn them an Oscar.  

Here there are lots of big boulder rocks on either side of the path, with native plants punctuating the salt marsh borders.  We were told the builders cut back and shaped the riprap in order to make slopes and terraces.  Matt could hardly contain himself, exclaiming, “We made salt marshes in New York City!!”  He added they also had the not so surprising consequence of finding a muskrat had taken up residence there in Brooklyn….  

The plan here is to make 10 acres of area available by 2015 to be used for kayaking so that water sport adventurers can connect to the canals and bridges that embellish the city. He pointed out that curiously, there is presently no place to readily just walk from the city to get into the water.  Seems crazy for an island and shoreline landscape.

This area is part of a storm water infrastructure that was planted with aquatic plants, including pickerelweed, mallows, native rush, Matt said.

Meandering back to the Water Garden, the borders are lined with lots of bayberry and boneset.  “It’s a very intimate space,” commented Matt, the group nodding their agreement.  


The striking red lobelia here at the water’s edge stood out like a fashion model on the runway.  Sabine nailed it when she noted they looked liked skyscrapers, fronting as they do the not too distant Wall Street skyscrapers towering behind them.  It is as if they are trying to imitate their big shadow or brighten up their grey facades. 
The asclepia there was so pretty too. 



Matt explained they bio-engineered the site, using coir matting -- most often referred to as coco fiber -- around the pond’s edge, along with lining logs around the stream and pond.  The whole thing works like a relay wall, with water pumped into the planned perched wetland pond nestled between a lawn swale on one side a bike lane on the other.

At this point, the tour officially concluded.  Matt and Sabine offered to continue heading back south to explore more of the proposed completion of the BBP.  Most opted to continue to follow our exuberant Pied Piper: Matt. 
Besides, the breezes were so nice and the sun was a pearly, pink glow, just setting behind the Manhattan skyline to the west; so we were more than seduced to continue our arboreal and pastoral journey.  



We continued on to see what will be at the Heights.  Under the Brooklyn Heights area.
It is a very ambitious and smart design that will soon be here.  
Most important will be the 42-degree slope on the 30-foot high landscaped hill/wall needed to block out the noise created by the never-ending conga line of cars on the BQE above.  Matt says here and without the wall “The sound is a living hell.”
At Pier 2, Matt exudes his enduring love of the place, having worked on the design and sherpa-ing the project to completion since the 90”s.  Here he described a spiral pool and canal that will soon be gracing the site.

The lights at the skeletal structures on the piers provide illumination for the basketball, tetherball courts.  At night, it all looks like a surreal movie set. 
Matt says porch swings will soon dance from the ceiling of the structures. 





The landscape design genius here is the blending of industrial memory and invoking rural elements of the site, as Brooklyn is the beginning or start of Long Island – and according to the lore of Native Americans it is the head of the fish – with the Twin Forks of the East End being the fins. 

The industrial heritage of the site has been honored and preserved, with ribbons of light punctuating the piers like a lighted Etch A Sketch.  “It will become a signature of the park,” Matt said.   It’s very glamorous.   

Running down the list of soon-to-be parks from his park-o-meter memory, Matt said
*Pier 3 will look like nature took over
*Pier 4 will be made into a bird sanctuary. And a grand beach – with more access to the water.
* Pier 5 and 6 …. More to come

The Children’s Garden is a mosaic of gardens: each element of the children’s garden has its own identity. There is an enchanting Water Garden or Water Lab, with aquatic plants, including horsetails, water sprays, and a fun, huge sandbox village with animal critters and teak decking surround. It offers an intriguing, sense of play and discovery. There is a slide mountain – (German, custom-made for the site) with a “floor” of a spongy element that puts a spring in your step; surrounded by bamboo. 

Matt reported Adrian Beneppe says it’s the best playground in New York.  And who am I to disagree with the best-ever Parks Commissioner?  J

Only the dark of night made this amazing garden tour come to an end. 
We’d traveled a few miles of New York waterfront; and at the same time, traveled back in time more than a few decades. 
And what might be characterized as inspired garden magic, we learned that in order to maintain the park space there is a Hort staff of--drum roll please-- Two! Yes, just two full time people. Plus a seasonal staffer.  And the volunteers.  It’s not fair that just a teensy bit more taxes might go toward a better lifestyle for all… Volunteer if you can. 

Enjoy this amazing park. It’s a love letter from urban landscape architects to the citizens of this great city.  Hugs all ‘round. 

Horticulturist, blogger & artist, Phyliss  Odeyssey


Saturday, August 13, 2011

Garden Love Leads to the Perfect Garden Gift


I have the “dirt” from those who know best: the garden’s spirited gnomes and sprites. 

Here’s what they whispered, on condition its scandalous “nature” would alarm the butterflies and honeybees:
Garden art flirted with botanical science a few years ago; when the romance blossomed, (ahem), their love child was born in a magical place: BloemBox! 
Every since, their progeny has become ever cuter, smarter, more clever and well, as Kate and Pippa’s parents might say, “To the royals they belong!”

You don’t believe the sprites?
Indeed, BloemBox is that rare garden gift item that has admirers tripping over their Roget’s.  I defy you to hold up and showcase any BloemBox like a pert cocktail or 50”s game show girl without hearing a medley of “Too cute!” or  “How sweet” or “It’s adorable.” 
And then, like seeing a kitten or cuddly puppy, they reach out expectantly, and insist on holding it.  As in “Let me see that.”  
Give it up. They will not be denied.

I first wrote about this happy discovery after receiving a hummingbird flower box from my sweet godchild, Erin. (http://gardenglamour-duchessdesigns.blogspot.com/,May 2011)  I was in rapture.  They had me at Bloem! That one still has a place of honor.

Since then, Laura Quatrochi, Designer and brainy, savvy Botanist behind the Bloembox brand, shared her line of six edible Heirloom veggies and herb garden treasures with me, earlier this spring.
Mea culpa.  It’s not her fault I was so shanghaied by my book deadline (Long Island Homegrown about chefs and their inspired gardens and growers. Due out early 2012) and some pressing family matters that, combined, delayed my posting. 
The elapsed time is in no way indicative of a lazy lover. Rather my ardor for the BloemBox compelled me to compose a fitting tribute that would tell you what a unique and smart item this is.  At least I Tweeted a number of times (@gardenglamour) to fan the flames of Bloem love. 

The full line of Veggie & Herb Gardens includes six gardens:

  • Nantes Carrot and Herb (for spring and fall planting) with bright orange baby carrot and feathery leaf top.  How horticultural thoughtful to have provided a Nantes carrot!  Described as “Almost perfectly cylindrical,” this high design carrot might make Bugs blush.  It’s no wonder the BloemBox geniuses took their inspiration from the carrot that bears its name from the French city on the Atlantic coast that is a kitchen garden favorite. (According to harvestwizard.com)  
  • Veggie Italian Heirloom Eggplant & Herb Garden features a rich purple eggplant and ribbon perched atop  
  • Veggie French Heirloom Lettuce & Herb Garden (for spring and fall planting) displays a layered red-tipped head of lettuce and a green bow  
  • Veggie French Heirloom Tomato &  Herb Garden with a red-ripe fruit sitting there, just waiting to be coddled with some fresh ricotta
  • Veggie Heirloom Sweet Pepper & Herb Garden putting its sexy, red pepper on display along with a red ribbon at its throat.  
  • Veggie Heirloom Radish & Herb Garden (for spring and fall planting)


When I asked Laura about the Veggie and Herb Gardens introduction she wrote:
The seeds are “channeled” – I couldn’t help pause here to reflect what a true garden lover she is because she doesn’t say give or provide or… she is sensually nuanced to note she is the provider.  Ahhh… 


Further, she adds, "The seeds are organic, untreated, non GMO. With the increasing interest in “growing your own” and the home farming movement, I wanted to provide a gift assortment that nourishes and grows! 
Another sigh.  Non-GMO is a love letter to gardeners and farmers and those that care about their health and the well being of the planet.  Nice.


Here’s a quick Q&A with Laura about the new line of Veggies and Herbs:

How long did it take you to finalize this line?
Seed Ribbons nestled inside BloemBox 
Seeds peeking through ribbon; eager to garden
About 18 months. I had to carve the vegetables to size and shape, make molds, work with a company to manufacture the shapes and paint the forms. Select varieties, procure seed (I own a wholesale seed company), produce the seed ribbons, write/print planting instructions/gift tags, collate seed ribbons, assemble and tie tags on each gift with satin ribbon.  

How did you choose the veggies for the tops?
First I selected the most popular vegetable types. The seed size is also a determining factor in that it must be small enough to fit inside the channel of the tissue paper. Then I selected the varietal types by taste and novelty. It was also important to have warm and cool weather varieties. The carrot, lettuce and radish can be planted in early spring and again in the fall for a late harvest. The eggplant, pepper and tomato need heat and are started indoors for planting outdoors after all danger of frost. If seeds are not planted this season but kept in a cool, non-fluctuating temperature environment they are viable for two years.

Everything is so clean and elegant-- how do you produce it all?
My assembly team has been working with me for over 20 years.  Before the creation of BloemBox, they assembled hundreds of private label products that I designed for other seed companies and lifestyle retailers. This is the first time we are producing a product with my name (BloemBox) on it! We assemble and ship all products from our seedhouse in Northern California. We take pride in providing handmade, unique, beautiful gifts. 

What seeds do you use?
 I work with flower, herb and vegetable seeds grown in the US and Europe.  Our premium amaryllis bulbs are grown in The Netherlands and our paperwhite narcissus in Israel. The seeds and bulbs ship from quality growers that I have worked with for many years. 

Do you prepare the seeds?
All seeds are open pollinated, untreated, harvested, cleaned and tested for germination and purity before incorporating them into the tissue paper seed ribbons or seed mats.

Brilliant!

And the garden sprites at BloemBox just sent an email reminding edible gardeners about the Autumn Harvest plantings for the three Veggie & Herb Gardens.   (Thank you!)

Visually, the BloemBox is eye candy.  Preppy green little handmade hat boxes fittingly adorned with fetching, sassy silk chapeau ornaments that, better than a Tiffany box, tell you what’s inside. 
For example, the cutey-pie Heirloom Radish BloemBox that is part of the Herb Garden line has three red-as-real radishes and green silk leaves, tied together with a red satin bow, anchored by a matching green gift card. 

While there is a To and From on the back of the diminutive card, it is nonetheless chock-a-block with masterful news of its contents, planting instructions and poetic quotes.  Did I not say BloemBox is magic?

For example, in white print on green that would give Lily Pulitzer cause for a second daiquiri, Heirloom Radish announces itself on the cover, with the message “Nourish the soul – plant a seed and let it grow” beneath. 
On the left inside, the contents are explained:  Here it is Three 5’ Seed ribbons made of plantable biodegradable tissue paper filled with premium seeds for effortless planting.  

On the right side of the open gift tag are the seed’s common and botanical nomenclature, as befitting their royal lineage – and that of BloemBox’s botanist president, Laura:
  • Radish ‘Sparkler’ raphanus sastivus
  • Cilantro  Coriandrum sativum
  • Italian Parsley Petroselinum crispum

A poetic garden haiku of sorts advises “Just tickle the earth with a hoe and she laughs with a harvest.”  Douglas Jerrold. 

How precious is that?

Perfect enough for Oprah, where BloemBox was a featured item. 
Along with countless other glamorous garden-lovin’ devotees.

So there you have it.  Or you think you do.
Sweeter than a cupcake; more glamorous than jewelry to look at. 
Filled with a clean, smooth planting ribbon. The gift “cared” is a respectful and appropriate nod to its botanical heritage, and planting instructions, with horticultural prose.

Then you think, “Wait. I know BloemBox is a gift.”  They claim it’s two in one.  I think it’s got a multi-stemmed personality. 
BloemBox is a collectible.  I want to keep them all, But it’s such an ideal gift for a bridal shower or garden party favor; a botanical garden seed-saver; a Christmas stocking stuffer; a house-warming and a hostess gift; a corporate gift for clients or promotion. 

Do you crave bespoke?  The gift tags can be Personalized and hand-tied, adding an impossibly lovely spark to the Bloem cachet.

Visit Bloembox to browse the entire crop of gift items: from Tiny Tin Classics to Minis to Bulbs to Sachets http://www.bloembox.com
707-895-3500

It’s a glamorous garden temptation.
BloemBox is a “must-have” to dazzle your garden, your garden party and the garden lover.  Shhhh. We know how love ignited this garden gift at first blush…

* Up next for BloemBox here --a profile of Laura and her botanical, magical creativity.